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Review: Paris 36

A guilty pleasure of the vintage Parisian variety
By PEG ALOI  |  April 7, 2009
3.0 3.0 Stars


Trailer of Paris 36

Director Christophe Barratier (Les Choristes) co-wrote this nostalgic paean to 1930s Paris and the stage musical. In a Busby Berkeley–worthy story, middle-aged actor Pigoil (Gérard Jugnot) is dumped by his cheating wife, who takes their sweet son away. Heartbroken but hoping to be reunited with his boy, Pigoil carries on with trying to resurrect his struggling theater, the Faubourg. (The film's original French title is Faubourg 36.)

A perky chanteuse named Douce (delicious newcomer Nora Arnezeder) shows up, attracting audiences and a benefactor in loan shark Galapiat (Bernard-Pierre Donnadieu, the bad guy from the 1988 version of George Sluizer's The Vanishing). Douce is also courted by a Communist stagehand, and befriended by ingratiating comedian Jacky (the wonderful Kad Merad). The plot bubbles along, with effervescent song-and-dance numbers set amid stylized period sets, and thinly veiled Third Reich references.

Top-notch performances buoy up this sentimental (some might say clichéd) musical romp — and who doesn't enjoy a guilty pleasure of the vintage Parisian variety?

Related: Review: The Last House on the Left (2009), Review: The Girl From Monaco, Body work, More more >
  Topics: Reviews , Nazi Party, George Sluizer, Busby Berkeley
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ARTICLES BY PEG ALOI
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  •   REVIEW: THE GIRL FROM MONACO  |  July 01, 2009
    This sensual tale of dangerous love comes from writer/director Anne Fontaine ( Dry Cleaning , How I Killed My Father ).
  •   REVIEW: SUMMER HOURS  |  May 19, 2009
    In his understated, intricate L'heure d'été , Olivier Assayas comments on globalization and materialism by way of a simple story of three siblings dividing the contents of their mother's estate in rural France.
  •   REVIEW: IS ANYBODY THERE?  |  April 29, 2009
    This seems to be the year for nostalgia films. Here we have relative newcomer John Crowley directing an English working-class yarn from Peter Harness's autobiographical script.
  •   REVIEW: PARIS 36  |  April 07, 2009
    Director Christophe Barratier (Les Choristes) co-wrote this nostalgic paean to 1930s Paris and the stage musical.
  •   REVIEW: THE LAST HOUSE ON THE LEFT (2009)  |  March 18, 2009
    Critics and audiences reviled Wes Craven's 1972 original, but its raw power gave it an enduring, endearing legacy.

 See all articles by: PEG ALOI

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