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Review: Summer Hours

Deliciously stylistic
By PEG ALOI  |  May 19, 2009
3.5 3.5 Stars


VIDEO: The trailer for L'heure d'été (Summer Hours)

In his understated, intricate L'heure d'été, Olivier Assayas comments on globalization and materialism by way of a simple story of three siblings dividing the contents of their mother's estate in rural France. Only eldest son Frédéric (Charles Berling), a busy Parisian, wants to keep the idyllic country house, which is on display in a lush opening segment where the 75th birthday of matriarch Hélène (Edith Scob) is celebrated.

Adrienne (Juliette Binoche) is a designer based in New York, Jérémie (Jérémie Renier) works in China, and, to brother Frédéric's dismay, both want to sell. Hélène's last wishes include managing the effects of her uncle, a noted painter to whom she was romantically attached.

In a rich closing sequence, Frédéric's daughter Sylvie (Alice de Lencquesaing) holds a party at the house, then escapes into the near-by forest with her boyfriend. By this point, Assayas has returned to delicious stylistic territory not explored since 1994's L'eau froide, and to a wistful view of a fast-vanishing French culture.

Related: Quarantine, Review: Alien Trespass, Review: Dust, More more >
  Topics: Reviews , Economic Issues, Juliette Binoche, Globalization,  More more >
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ARTICLES BY PEG ALOI
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  •   REVIEW: THE GIRL FROM MONACO  |  July 01, 2009
    This sensual tale of dangerous love comes from writer/director Anne Fontaine ( Dry Cleaning , How I Killed My Father ).
  •   REVIEW: SUMMER HOURS  |  May 19, 2009
    In his understated, intricate L'heure d'été , Olivier Assayas comments on globalization and materialism by way of a simple story of three siblings dividing the contents of their mother's estate in rural France.
  •   REVIEW: IS ANYBODY THERE?  |  April 29, 2009
    This seems to be the year for nostalgia films. Here we have relative newcomer John Crowley directing an English working-class yarn from Peter Harness's autobiographical script.
  •   REVIEW: PARIS 36  |  April 07, 2009
    Director Christophe Barratier (Les Choristes) co-wrote this nostalgic paean to 1930s Paris and the stage musical.
  •   REVIEW: THE LAST HOUSE ON THE LEFT (2009)  |  March 18, 2009
    Critics and audiences reviled Wes Craven's 1972 original, but its raw power gave it an enduring, endearing legacy.

 See all articles by: PEG ALOI

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