After her biggest hit came her biggest bomb, the unfairly maligned STRANGE DAYS (1995; July 12 at 7 pm). Hugely ambitious with its elements of Apocalypse (remember Y2K?) and racial strife (remember the Rodney King riots?), it had as its most lasting inspiration a system of recording and replaying individual experience called SQUID (Superconducting Quantum Interference Device). In Strange Days, these ultimate slices of life tap into a murderous narcissism reminiscent of Michael Powell's Peeping Tom (1960) — which also was received with general disdain. But unlike Powell, Bigelow has come back.
Editor's Note: In a previous version of this article, the co-director of The Loveless was incorrectly identified as Eric Red, instead of Monty Montgomery. The correction has been made above.
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