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Loop dreams

Iannucci and the future of political comedy
By PETER KEOUGH  |  July 23, 2009


VIDEO: Peter Keough interviews Armando Iannucci

Review: In the Loop. By Peter Keough.
After laughing at the benighted morals and intelligence and the mordant wit of the reprehensible politicos of In the Loop, I had to ask myself, why now? Wouldn't this film have made more of an impact, both politically and commercially, if it had been made, say, before the 2004 American presidential election, or even in 2003, before the Iraq invasion that inspired it? First-time director Armando Iannucci is slightly more forthcoming than his beleaguered and waffling minister, Simon Foster, in replying.

"I don't know. I mean, people have mentioned that, and then people have gone to see the show and have said, 'No, actually, it's . . . ' Although it's inspired by incidents that happened around that point, I didn't want it to be about Iraq. I didn't want us to mention who the president was, who the prime minister was, or what the country was, because I also wanted . . . because I'm looking at the underlings, the people who are always there in government. I wanted to show how government generally works as well as taking a specific moment in time."

Perhaps another reason for making a political satire about two leaders, Bush and Blair (though both are unnamed), currently out of office is that so far the current US administration has offered slim pickings for comedy. Does Iannucci think we're looking at eight years of Joe Biden jokes?

"Oh, I think things will come up. You can't expect to be able to tell the same jokes. So the jokes this time might not be about how illogical the president is or how he speaks. Obama is almost over-articulate, he's very good at explaining things. And yet I find it always very difficult to work out what exactly he means. And Joe Biden is something to talk about, isn't he? And what will the relationship between Obama and Clinton be like over time? But I think the Treasury is the comedy department at the moment."

Comedy from the Treasury Department? If anyone can manage that, it's Iannucci, who recently completed a BBC documentary on that laugh riot John Milton.

"I spent three years as a student trying to do a PhD on Milton," he explains. "On Paradise Lost. I never finished it. So I ended up doing it as a comedy instead. It's all about freedom of choice. Lucifer's temptation is about the necessity of having individual freedom but also about the responsibilities that go with freedom. That freedom is not just a privilege. It's something that has consequences — potentially catastrophic, depending on what decisions you make. It's about human nature as opposed to, you know, abstract religious, mythic kinds of stories. And of course, Lucifer is the most charismatic character."

That would make the potty-mouthed and demonic Malcolm Tucker, who's played with diabolical delight by Peter Capaldi, In the Loop's most charismatic character.

"He's one of the few people who has a certain view," Iannucci agrees. "He has a goal at the start of the film that he sticks to and tries to achieve. Whereas the others say one thing but then maybe end up doing another.

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Related: Night of the living dead, Suffrage net city, Bull disclosure, More more >
  Topics: Features , Barack Obama, Barack Obama, Politics,  More more >
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ARTICLES BY PETER KEOUGH
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  •   REVIEW: UP IN THE AIR  |  December 02, 2009
    No director pulls off the bait-and-switch as craftily as Jason Reitman. He gets you thinking that you're watching a hip, caustic comedy subverting the status quo, but by the end, he's vindicated all the platitudes he seemed to scorn.
  •   REVIEW: Z (1969)  |  December 01, 2009
    John F. Kennedy wasn't the only political leader murdered in 1963. On May 22 of that year, Gregoris Lambrakis, a left-leaning, pacifist member of the Greek parliament and an aspiring presidential candidate seeking to replace the reigning right-wing government, was assaulted after a peace rally in Thessaloniki. He died five days later.
  •   REVIEW: JULIA  |  December 04, 2009
    When the once-æthereal muse of the late Derek Jarman wiped sweat from her armpits in Michael Clayton , a new persona was born.
  •   REVIEW: THE STRIP  |  December 02, 2009
    In lieu of Steve Carell’s hopelessly inept and earnest manager, we have his creepier duplicate, Glenn. Instead of the boorish brown-noser played by Rainn Wilson, there’s the more obnoxious Rick.
  •   REVIEW: BAD LIEUTENANT: PORT OF CALL NEW ORLEANS  |  November 24, 2009
    Nicolas Cage is at his best in Bad Lieutenant

 See all articles by: PETER KEOUGH

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