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Review: Pom Wonderful Presents: The Greatest Movie Ever Sold
Reviews
Stoned
Docudrama reminiscent of Last Days and Backbeat
By
TOM MEEK
|
April 11, 2006
STONED
" alt="photo of 'STONED'">
2.5
Stars
Stephen Woolley, producer of
Absolute Beginners
and
The Crying Game
, takes a turn directing with this docudrama about Brian Jones, the enigmatic fop who helped found the Rolling Stones and later died an ignominious death. The film opens with a
Sunset Boulevard
–esque shot of Jones (Leo Gregory) floating in the pool of his countryside estate (formerly owned by
Winnie the Pooh
author A.A. Milne) and then rewinds in blurs that feel plucked from
Backbeat
(a Woolley production) and Gus Van Sant’s
Last Days
. Woolley’s yarn hangs on the mercurial relationship between Jones and his builder/lackey, Frank Thorogood (Paddy Considine). Drugs, babes, full-frontal shots, and mind games ensue (allegedly the basis for
Performance
, which starred Mick Jagger); yet there’s nary a Stones tune, and when Mick and the boys do show up, they are oddly docile non-entities. Gregory rolls along effortlessly as the washed-out rock star; unfortunately Woolley’s choppy vision can’t sustain the beat.
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Watch the trailer for
Stoned
(QuickTime)
ARTICLES BY TOM MEEK
REVIEW: GOD BLESS AMERICA
| May 17, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
REVIEW: THE PIRATES! BAND OF MISFITS
| April 24, 2012
Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
REVIEW: GOD BLESS AMERICA
| April 18, 2012
The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
REVIEW: UNDEFEATED
| March 15, 2012
Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
REVIEW: DR. SEUSS' THE LORAX
| March 01, 2012
Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.
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TOM MEEK
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