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Nominate-best-2010

Review: Motherhood

Fails to carry to term
By TOM MEEK  |  October 22, 2009
2.0 2.0 Stars

Being a mother can be stressful. What with the cooking, the cleaning, and getting the kids here and there, there’s a lot to juggle. Eliza Welsh (Uma Thurman) faces additional challenges: her husband and their two children live in two cramped studio apartments across from each other in a New York City walk-up.

For storage, they use their antiquated Volvo. Nonetheless, for her sixth birthday, daughter Clara (Daisy Tahan) has high expectations.

Much goes awry in this day-in-a-life mom-edy directed by REM videographer Katherine Dieckmann: Eliza puts any sympathy you might feel to the test by whining about her stalled writing career, and her bad-luck story neither rings true nor gets laughs. Minnie Driver adds pizzazz as a single mother who pleasures herself with bathtub toys, but otherwise Motherhood never comes to term.

Related: Review: The Boys Are Back, Review: Away We Go, Owning her identity, More more >
  Topics: Reviews , Celebrity News, Entertainment, Culture and Lifestyle,  More more >
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ARTICLES BY TOM MEEK
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  •   REVIEW: EXTRAORDINARY MEASURES  |  January 27, 2010
    Most parents would go to great lengths to save a child in peril, but would they find a cure for a terminal disease?
  •   CAMBRIDGE FINDS IT AIN'T EASY BEING GREEN  |  January 13, 2010
    The hype leading up to the United Nations Climate Change Congress in Copenhagen last month reached near tsunami proportions, but in the end, the gathering went out like a neap tide.
  •   LET'S GET RAW  |  December 16, 2009
    Couldn't score a seat at the Climate Change Conference underway in Copenhagen, but still want to reduce your carbon footprint? Perhaps you need to eat it raw.
  •   REVIEW: ARMORED  |  December 09, 2009
    In view of its credentials, Armored should be a lay-up.
  •   DOCUMENTARY MAN  |  December 09, 2009
    If you think the polemic salvos Michael Moore churns out define the modern documentary, you've either succumbed to Moore's manipulative shenanigans or are unfamiliar with the works of Frederick Wiseman. No disrespect to the Roger & Me director, he is what he is — a man with a camera and a handful of pixie dust.

 See all articles by: TOM MEEK

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