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The medium is the movie

In new films, truth is fluid — and controlled by the click of a button
In almost every movie you go to these days you’ll see another screen — a television, a computer, even another movie screen — within the screen you’re watching.
By: PETER KEOUGH  |  March 05, 2008

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Pass the subversion

Jorge Furtado at the HFA
Brazilian filmmaker Jorge Furtado has pursued the same preoccupations through his entire 25-year career, beginning with his arch, masterfully constructed and jolting shorts.
By: PETER KEOUGH  |  March 05, 2008

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The play’s the thing

 Interview: Michael Haneke on the rules of his Games
A couple of weeks ago at the Oscars, the first Academy Award for Best Foreign Language Film to go to an Austrian went to the wrong filmmaker.
By: PETER KEOUGH  |  March 04, 2008

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Courting dissent

Interview: Brett Morgen defends his Chicago 10
One of the great principles of American jurisprudence, though not necessarily of film criticism, is a defendant’s right to confront his accuser in a court of law.
By: PETER KEOUGH  |  February 27, 2008

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Shaggy frog

Interview: Michel Gondry goes lo-fi
Michel Gondry is not a household name.
By: BRETT MICHEL  |  February 20, 2008

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Separate ways

Ritwik Ghatak at the Harvard Film Archive
Separation is the myth and the reality of Ritwik Ghatak’s cinema.
By: CHRIS FUJIWARA  |  February 20, 2008



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Country for gold men

And Blood will out at the Oscars  
All kinds of voting has been taking place lately — for presidential candidates, for union contracts, for Oscar nominees.
By: PETER KEOUGH  |  February 22, 2008

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Science and fiction

Hollywood teleports to MIT
It wasn’t all hyperventilation.
By: BRETT MICHEL  |  February 15, 2008

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The Boston Phoenix–Alumni Film Critics’ Poll

Our first-ever round-up of the past year’s best movies, with a little help from our friends
It’s true, the Boston Phoenix has never won an Oscar.
By: PHOENIX STAFF  |  February 13, 2008

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Who I am

Paris speaks
She answers my questions in a Valley Girl vixen voice, with a languid aplomb that characterizes the way she approaches life.
By: SHARON STEEL  |  February 13, 2008

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Dead reckoning

George Romero’s exquisite corpses
Fo r years it looked as if George Romero had hit a dead end.
By: PETER KEOUGH  |  February 13, 2008



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Redstone’s red-carpet revelry

Comm Ave Walk of Fame
Boston University is rolling out the red carpet again . . . literally.
By: NEELY STEINBERG  |  February 06, 2008

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Before and after images

José Luis Guerín at the HFA
With José Luis Guerín, the cinema returns to its origin in photography.
By: CHRIS FUJIWARA  |  February 06, 2008

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Right to choose

Interview: Cristian Mungiu takes his time with 4 Months
“For all of us to have our own opinion, this is what I want. It’s not like telling people what to do.”
By: PETER KEOUGH  |  January 30, 2008

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American original

Arthur Penn at the Harvard Film Archive
During the great American renaissance period in movies, Hollywood was in the hands of the counterculture.
By: STEVE VINEBERG  |  January 29, 2008

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Are we grading on a curve?

Peter Keough’s Oscar Scorecard
It’s a solid B, which isn’t bad considering the vagaries of the Academy of Motion Pictures Arts & Sciences.
By: PHOENIX STAFF  |  January 23, 2008



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Let me see your grill

The origins of the vagina dentata
If there’s one thing the new horror flick Teeth teaches us, it’s that nothing sours a romantic soirée like a vagina dentata.
By: GREG COOK  |  January 25, 2008

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The Oscars go to Hell

The Devil knows what the nominations will be for this year’s Oscars
Maybe it’s just as well if the writers’ strike forces a cancellation of the Oscars show.
By: PETER KEOUGH  |  January 18, 2008

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Wild boys and girls

‘Vice vs. Virtue’ at Harvard
The series includes some of the liveliest and most adult entertainment in the history of the movie industry.
By: STEVE VINEBERG  |  January 15, 2008

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Casting ballots

The Human Rights Watch Film Festival on the campaign trail
Some believe democracy can save the world. Others wonder whether it can even work in America.
By: PETER KEOUGH  |  January 08, 2008

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Iranian chick

An interview with Persepolis creator Marjane Satrapi
At 38, Marjane Satrapi still resembles the kid in Persepolis , her autobiographical graphic-novel-turned-animated-film of growing up in Iran during the Islamic Revolution.
By: ROB NELSON  |  January 10, 2008


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