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Ira and Abby

Kitch, clichés, and neurosis — a fatal combination
Robert Cary is not up to even latter-day Woody standards.
By: PETER KEOUGH  |  October 10, 2007

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Feel the Noise

Introducing reggaetón
Argentine director Alejandro Chomski wastes little time setting up this generic exercise.
By: BROOKE HOLGERSON  |  October 10, 2007

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We Own the Night

Gritty, macho, and lacking in grace
James Gray’s film is in dire need of plausibility.
By: BRETT MICHEL  |  October 10, 2007

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Bogus Bess

Elizabeth: The Golden Age is leaden
“History,” Winston Churchill told us, “is written by the victors.”
By: JEFFREY GANTZ  |  October 10, 2007

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For the Bible Tells Me So

Homosexuality in the Bible
Daniel Karslake’s earnest documentary offers a string of familiar but poignant true-life stories of young gays and lesbians being alienated from mom and dad.
By: GERALD PEARY  |  October 10, 2007

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British Advertising Films of 2007

Vaseline and sock monkeys
Each year these commercials show an engagement with global culture and commerce.
By: PEG ALOI  |  October 10, 2007



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The Seeker: The Dark Is Rising

A smirky and sore temptation
It’s never a good idea to judge a movie by the book it was adapted from.
By: JEFFREY GANTZ  |  October 05, 2007

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The Assassination of Jesse James by the Coward Robert Ford

One of the year's best movies
In Andrew Dominik’s revisionist Western, Jesse James is not a character.
By: RICHARD BECK  |  October 05, 2007

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Angels in the Dust

A documentary of differences
Amid it all, the kids are kids: they dance and play and laugh, while not far from their mini-village lie acres and acres of graves.
By: NINA MACLAUGHLIN  |  October 03, 2007

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Tourist attractions

Darjeeling is limited but rewarding
Halfway through Wes Anderson’s picaresque train ride through India, everything stops.
By: PETER KEOUGH  |  October 03, 2007

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And justice for one . . .

Clooney cleans up as Michael Clayton
“I’m not a miracle worker, I’m a janitor.”
By: BRETT MICHEL  |  October 03, 2007



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Ang time

Lee approaches Lust with Caution
“Yeah, it’s very hard,” says Ang Lee — with no apparent double entendre in mind — about shooting the sex scenes in his NC-17-rated Lust, Caution .
By: PETER KEOUGH  |  October 03, 2007

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In the mood for Lust

Ang Lee goes NC-17
During one of the sex scenes that have earned Ang Lee’s adaptation of Eileen Chang’s short story its notoriety, I had to ask myself: how did that foot get there?
By: PETER KEOUGH  |  October 03, 2007

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The Heartbreak Kid

Dragging out funny
The only honor the remake is likely to vie for is “most athletic sex scene” at the MTV Movie Awards. That, or “most audible queef.”
By: BRETT MICHEL  |  October 03, 2007

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Milarepa: Magician, Murderer, Saint

Plays like a Wikipedia page
All mountains, monks, and a soundtrack of wailing women, Neten Chokling’s film opens with the announcement of a birth.
By: NICK MCCARTHY  |  October 03, 2007

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Feast of Love

Raves from Mr. Skin
Feast of Love is a title that promises either extra helpings of the mysteries of the human heart or a smorgasbord of multiple positions.
By: MARK BAZER  |  September 26, 2007



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Into the Wild

A tale of a megalomaniac as told by a narcissist
As I see it, Penn and Chris are both self-indulgent bores.
By: PETER KEOUGH  |  September 26, 2007

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King of California

A surreal oddity that jells
And so as dad persists in scuba-diving in shit, Miranda surrenders her childhood for her father’s delusional shenanigans.
By: TOM MEEK  |  September 26, 2007

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The Last Winter

The big ideas get out, despite clumsy dialogue
Modern American psychotronica needs Larry Fessenden.
By: MICHAEL ATKINSON  |  September 26, 2007

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Trade directed by Marco Kreuzpaintner

Aching with ambiguity
It doesn’t shy from the facts or the complexities but might still attract viewers with its genre dynamics and appealing performances.
By: PETER KEOUGH  |  September 26, 2007

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Pete Seeger: The Power of Song

Exploring saintlike passion
This documentary by Jim Brown offers an inspiring portrait of America’s most enduring folk artist.
By: PEG ALOI  |  September 26, 2007


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