The Dreamworks film Over The Hedge is adapted from a comic strip I never read and features a score by a guy I’ve never heard of. (Fans of Rupert Gregson-Williams, let the hate mail begin.) But I’m a sucker for a good cover, and Ben Folds, who lends a few of his own tunes to the Over the Hedge soundtrack, has been churning out some choice ones over the past few years. (Google his takes on the Cure’s “Just Like A Dream” and the Darkness’s “Take Your Hands Off My Woman”!). That said, I consider most Clash tunes off limits — and that goes quadruple when we’re talking abut using them in cute animated films. Alas, Ben picks a winner — the Strummer-penned, Jones-sung “Lost In the Supermarket” — for Over the Hedge. Not only does he do the song justice, but just for kicks he teams up with Hedge voice William Shatner (no stranger to Folds, who backed Shatner on his recent comeback disc) for a reworking of his own “Rockin’ the Suburbs.” Next stop for the Only Band That Matters: Kidz Bop?
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Interview: Amanda Palmer, The Raconteurs, Bar-band bonding, More
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So it’s the eve of the release of local sensation and Dresden Dolls vocalist/pianist Amanda Palmer’s solo debut album, and I’m sitting in her bric-a-brac-filled South End apartment drinking herbal tea.
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Jack White’s other band — the White Stripes — may be known for their bass-less, three-drums-and-six-strings set-up. But the truth is, he’s been using all kinds of instrumentation all along.
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Jack White’s just one of those guys who likes the idea of being in a band. Slideshow: The Raconteurs at the Orpheum Theatre, September 29, 2006
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This is one side project that's for real.
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The screams came from the second balcony at Symphony Hall on Wednesday.
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His attitude may remain young at heart, but his irony’s over the hill.
- Gag reflex
“You are in the elite first wave of people to hear this stuff,” Ben Folds told us Friday night with a smirk, possibly no longer able to be serious on stage after nearly two decades of tongue planted firmly in cheek.
- Photos: Ben Folds at the Orpheum
- Art and politics
The canny Texas-born songwriter T Bone Burnett hasn’t stepped into the footlights for — at least metaphorically — 14 years now.
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The follow-up to Burnett’s 2006 masterpiece The True False Identity (Sony) is a dark, cynical, vaguely futuristic song cycle triggered by a Sam Shepard play.
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Some guitar teachers will tell you there’s a right way and a wrong way to play the guitar. But Davis Guggenheim’s rousing new documentary, It Might Get Loud, reminds us that that’s not true at all.
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Music Features
, Entertainment, Music, Rock Kills Kid, More
, Entertainment, Music, Rock Kills Kid, Music Reviews, Johnny Cash, William Shatner, U2, The White Stripes, The Raconteurs, Jack White, Less