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Rebel Belles

The Dixie Chicks hold their ground and then some
By CHARLES TAYLOR  |  June 6, 2006
3.0 3.0 Stars


MAINES’S LINE: “I’ve paid a price and I’ll keep paying.”

Anyone who can’t admit that it took courage for Natalie Maines to say she was ashamed George W. Bush came from Texas, and for her band mates Martie Maguire and Emily Robison to back her up, should have to answer this question: has your life ever been threatened for expressing a political opinion?

After Maines made her statement in March 2003 on stage at London’s Shepherd’s Bush Empire, it became common — from the left as well as the right — to hear people claim that the Dixie Chicks were naive for being shocked at the reaction, as if death threats should be considered par for the course in a democracy. And let’s be clear: we’re talking about one threat that was so specific as to the time, place, and method of Maines’s murder, the FBI considered it credible. We’re talking about a DJ who claimed he knew Maines’s address and suggested taking a “posse” to her house. We’re talking about a newspaper that published that address. We’re talking about a South Carolina politician who rose in the state legislature to announce that anyone who attended the Chicks’ concert in his state ought to be “ready, ready, ready to run away from it.”

The irony is that for a few months in the spring and summer of 2003, some Americans aped Islamic fundamentalists who believe that the proper punishment for defaming their godhead is death. Those people did so in the name of standing up for America.

Following the release of Taking the Long Way (Sony), the claims by the Chicks’ enemies that the Bush comment was a ploy to boost CD sales are dubious — as if the largest-selling female act in the history of popular music needed help moving units. The first single, “Not Ready To Make Nice,” couldn’t find enough stations to play it (even as it hit #1 on iTunes). And though the band debuted at No. 1 on the Billboard 200, it was a significant drop from their last album of new material, 2002’s Home. No, the band aren’t going to the poorhouse anytime soon, but they are likely to be seeing much smaller sales than they once did.

“The incident,” as they now call it, illustrates, as nothing else in pop culture has in decades, how much riskier it is to speak up in the midst of the mainstream than it is from the fringe. No other performer has been as vilified as the Dixie Chicks were for speaking out — and they wouldn’t have been if they hadn’t made their name in the conservative space of mainstream country music.

They do not apologize on Taking the Long Way. In a recent Time cover story, Maines even retracted her 2003 apology: “I don’t feel he [Bush] is owed any respect whatsoever.”

A grab at mainstream adult pop, the new album finds the Chicks experiencing the pleasure of speaking in their own voice, dropping all pretense as to who they are. “Well, I fought with a stranger and I found myself,” Maines sings on the opener, “The Long Way Around.” It also finds them bristling at the shit they’ve taken for doing so. “I’ve paid a price and I’ll keep paying,” Maines sings in a plaintive, breathy voice on “Not Ready To Make Nice.”

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Related: Pedro, Borat, and a castrato, Shut Up and Sing, On the Racks: May 23, 2006, More more >
  Topics: CD Reviews , Elvis Presley, Entertainment, Music,  More more >
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Comments
Rebel Belles
Oh Charles...you got me all excited and then bummed me right out. This is in regards to your aside in the article above: "I think you’d have to be near dead not to respond to the urgency in Ghostface Killah’s FishScale or Rainer Maria’s Catastrophe Keeps Us Together." When reading such a passionate statement of an album's effect on you, I thought I just had to experience it myself, because god knows I'm not near dead yet. I ran out and bought the Rainer Maria disc, thankfully finding it used at a nearby Strawberries at an extra 25% off and utilizing a birthday gift certificate. Even with all those extenuating breaks in cost to me, I still feel I was gypped. This album is exactly the type of sound I avoid in order NOT to feel like I'm "near dead." because it itself sound devoid of real life, overproduced and glossy and absent of anything that I recognize as soul in sound. Certainly nothing I will ever want to hear again. But there is still some solace in the works. I immediately put it up on ebay where I see others have gotten $9.00 for their used copies. A 50% profit on my original purchase is something I can live with. The idea that you might proclaim music like this to be a barometer of another's life force is something I'm far less comfortable with. You win some, you lose some...
By Bob D on 06/10/2006 at 9:10:57

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