Sidecar Radio to pull the plug

Legacy Place
By SAM PFEIFLE  |  September 19, 2012

tji_sidecarradio_main

It seemed like maybe they were rejuvenated by the addition of Walt Craven, but just a couple of shows into playing as a four-piece, one of Portland's longer-running rock acts announced this week they were calling it quits. Sidecar Radio will play their final show November 16, at the Big Easy.

Though it took them a bit to settle on a name (the Christian Hayes Element became the Element, which was already taken) and a lineup (things really gelled and got heavy when Jason Stewart joined on drums), over the course of 10 years Sidecar Radio would eventually become part of our local bedrock, seemingly by virtue of sheer willpower. Frontman Christian Hayes just seemed to want it so badly, and he poured out every ounce of that desire onto the stage each time he got up there.

That it has come to the point where "we all find ourselves at points in our lives that the current state of the music business cannot sustain" is just the way things go sometimes. Real life is a bitch and doesn't care that you've put out four EPs that quite a few people really enjoyed. It's not like none of these guys will ever plug in again.

If nothing else, though, when Sidecar Radio rock their last note they can say with confidence they left behind at least one truly great song. "When the Easy Gets So Hard," off 2008's Wave Principle, gets radio-rock dynamics perfectly, with a bouncy upstroke verse and a soaring chorus that turns "hard" into a five-syllable word that's impossible not to belt out. It's a tune that will live on in party playlists for years to come, and, in the end, a local band can't ask for much more than that.

  Topics: Music Features , Music, Radio, rock,  More more >
| More


Most Popular
ARTICLES BY SAM PFEIFLE
Share this entry with Delicious
  •   FILLING UP WITH PUTNAM SMITH  |  May 16, 2013
    Putnam Smith wishes he could trade places with Emily Dickinson.
  •   TRICKY BRITCHES ARE IN GOOD COMPANY  |  May 10, 2013
    Tricky Britches lean pretty heavily toward the old-timey end of the spectrum, with a deep and abiding respect for the body of American stringband work, manifesting itself in original songs that are instantly familiar.
  •   FOUR NEW WORKS FROM WHITCOMB  |  May 10, 2013
    Part of Whitcomb's appeal is that the material and the performance are of a piece, everything placed just so and meticulously machined.
  •   A VIBRANT AND FORWARD WORRIED WELL  |  May 03, 2013
    There's something baroque, something emotional and primal, vivid and stark about Luck, the band's first proper full-length release.
  •   DANCING? YOU'LL NEED A LICENSE  |  April 24, 2013
    Papers, Please

 See all articles by: SAM PFEIFLE