To say Metal Feathers are the best band in Portland would not be incorrect. And this is — though it may take a bit to determine — their best album. If the sort of thing means anything to you, it's probably the most thoughtful, inhabitable break-up record by a local rock band since Zootz closed. As with their other albums, it makes a fantastic argument for the creative virtues of lo-fi production, often using noise, samples, and even static as poetic illustrations. But to these jaded ears, the reason it could be a mighty record is in what it manages to dredge up about the human condition, particularly in regard to trust, familiarity, and human error. It may be a long way to the bottom, but the water is warmer than ever.

HANDFUL OF FOG | released by Metal Feathers | Feb 22 @ 8 pm | with Leaves Leaves + aLEX kEATON + Wood Burning Cat | $5 | Mayo Street Arts, 10 Mayo St, Portland | 207.615.3609 | metalfeathers.bandcamp.com

< prev  1  |  2  | 
  Topics: Music Features , Television, Guided By Voices, Metal Feathers
| More


Most Popular
ARTICLES BY NICHOLAS SCHROEDER
Share this entry with Delicious
  •   SPENCER MCCALL’S BEWILDERING THE INSTITUTE  |  May 10, 2013
    Ostensibly, the first feature film by Spencer McCall seeks to provide a portrait of a San Francisco organization called the Jejune Institute, whose mission hovers somewhere between the poles of self-help, performance art, disinformation, and an alternate-reality game. But if this is a portrait, we're not in art class anymore.
  •   JAMES MARSHALL ESCAPES FLATNESS AT ICON  |  May 03, 2013
    In the first show of the season at the always engaging Icon Contemporary Art, James Marshall's collection of new works breathes life into the paper bag. Literally.
  •   DESIGNTEX STAFFERS STRUT THEIR STUFF AT SPACE  |  April 24, 2013
    "Surface Tension," the fantastic exhibit at SPACE Gallery, is a gorgeous set of oddities, surfaces, and structures, and issues a strong challenge to visual perception using remarkable techniques re-imagining the limits of texture, conception, and color.
  •   THE EYES HAVE IT  |  April 17, 2013
    The paradoxes in Brenda, the rock band of three (or sometimes four) members split geographically between Portland and New York, are hard to iron out.
  •   UNE’S WOMEN PIONEERS DEEPEN INQUIRY  |  April 04, 2013
    Third of four in the UNE Art Gallery's series of Maine Women Pioneers, the curators describe "Worldview" as an exhibit of artists "who are connected to their world . . . inspired by ethics, emotions, and existential holistic themes, as activists, healers, and visionaries." That's a definition with a pretty broad reach

 See all articles by: NICHOLAS SCHROEDER