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Bully for Woolly

Honeyhander’s Mannerisms is gripping and fully realized
By BOB GULLA  |  January 18, 2006

If U2 played regularly at late, lamented underground mill spaces like Fort Thunder, they’d be lucky to sound something like Honeyhander, a Providence fivesome that incorporates everything from early Depeche Mode and the New Romantics to dark, tensile bands like the Fall and those from the old Factory label. There’s even some shoegazer action going on a la My Bloody Valentine and a little post-Wave Radiohead vibe, which should please some of the folks in town that miss those long-lost days of early alt-rock. That said, Honeyhander sounds very much like they’ve taken all of these influences and squooshed them into their own thing. It’s pretty tasty and, if they find a way to keep it going, may be the linchpin of a vibrant new scene. THICKLY LAYERED: Honeyhander labored for a "terrific" sound.Honeyhander is Anthony Ferreira (vocals, synths, guitars), Mike Cardoso (guitar), Christopher Todd (drums, percussion), Dan Burns (guitar), and Shane Broderick (bass).

That’s a big lineup for a rock band, and as evidenced by their debut EP Woolly Mannerisms, they make big splotches of noise daubed from a colorful palette. In fact, they’re so colorful Honeyhander is attracting the kind of attention not often seen in these parts — that is, from big-time record labels. Honeyhander, like many of the bands Rhode Island spawns, is edgy and uncompromising, daring and experimental. Unlike many of our very bravest bands past and present (Six Finger Satellite, Arab On Radar, Chinese Stars, Daughters, the Bolt), they fall on the accessible side of the tonal line. But they use that accessibility to bludgeon their audiences with decibels and daring every chance they get. Woolly Mannerisms, released on the Strictly Amateur Films label in the US and Release the Bats! in Europe, contains only a handful of tunes, but what’s present is gripping and beautifully realized. It oozes with personality and focus. Details grow like whiskers out of a hairy face, stubby at first, then needle-long and sharp; as the song builds, those details become a full-blown beard, a mug adorned with thick layers of hair. Like all promising bands, Honeyhander seems to have a strong sense of purpose. And they maintain that purpose throughout the EP’s best tunes: the opener, “Wear Out Your Muscles Mary,” and “Our Connoisseurs Are Feeders,” a track you can stream on the band’s website, honeyhander.com. Ferreira produced and mixed the recording, and it’s clear he and the band took an incredible amount of time developing the sound. The recording is thickly layered. The story goes that after an intense and fatiguing mixing and mastering process, Ferreira was unhappy with the end result and redid it. In his best crazed Brian Wilson persona, he paced the room for days, shut in, blaring the mixes and tweaking the minutest of details. “I detoxed from listening to it at all after we finished it,” he says on the band’s website, “and in retrospect I’m glad we were that anal with everything. It sounds really terrific.”

HONEYHANDER + KAYO DOT + BARYCOISE ORCHESTRA + BANANA HANDS | AS220, 115 Empire Street, Providence | Jan 21 | 401.831.9327

Wednesday is Lounge Night
A true lounge experience emerges weekly in Providence with the Wednesday kickoff of “Chilled” at Moda on South Water Street. Veteran DJs Mike Hoska and Todd Hanna, who make up two-thirds of the internationally recognized Groovefire production team, will crank up the turntables and load ’em with contemporary down-tempo, deep house, and world beat, blended with dashes of funk, R&B, and soul. Don’t confuse them with the fab Wyld Card DJs who spin vintage platters. These tunes are today!

Hoska and Hanna, now signed to two independent dance music record labels, were the creative force behind this summer’s big ’80s nights at Moda, and they plan to bring the same massive vibe to Wednesdays as they attempt to warm up these cold nights with chilled electronica and old school groovin’. “Chilled” Wednesdays also feature no cover charge, free valet parking, and weekly two-for-one cocktails at prime time. Check it out and tell Mike and Todd that Moby sent ya.

Wandering eye
On January 21 at the Elbow Room in Bristol, it’s Jeri Verdi & the Jeepsters all night long. For a quieter Saturday you can head to Stone Soup on January 21 to hear the provocative sounds of Lori McKenna and Meg Hutchinson. McKenna, from Stoughton, is a rising star on the songwriting circuit, while Hutchinson, whose new album The Crossing is a pleasant surprise, is also a topnotch writer. She was voted 2004’s “Most Wanted Artist” at the Falcon Ridge Folk Festival. Get there early.

This weekend at the Rocky Point Pub, it’s Backlash on January 20 with their brand of hard rock and Witz End on Saturday. If you like it a little harder, you can find the noize at Cats that night with Hawkins Rise, 44 WRECK, and 81-B.

On January 21 at Jake’s, you can absorb the spectacular pop sounds of the Wrong Reasons. They’ll be holding forth with the Comfortable People, which sounds like an ironic match made in Providence heaven.

DJ and songsmith Angelo Marinosci writes in to let us know that his roots radio show, Late AM with Angelo, normally heard on WARL 1320 AM, will now be simulcast on WAKX 102.7 FM (and streamed at www.1320thedrive.com). This means Angelo can be heard at almost 20,000 k’watts, a range stretching from the Cape to nearby Connecticut — way better than the comparatively feeble 5000 kw of the show’s recent past. So turn it up!

___

Email the author:

Bob Gulla:big.daddy1@cox.net

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  Topics: New England Music News , Anthony Ferreira , U2 , Alternative and Indie Rock ,  More more >
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ARTICLES BY BOB GULLA
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