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Before its actual spring festival, the BOSTON EARLY MUSIC FESTIVAL is bringing the Flanders Recorder Quartet with Scottish soprano Susan Hamilton in for an evening of Elizabethan songs (First Congregational Church in Cambridge, November 4; 617.661.1812). Joel Cohen’s BOSTON CAMERATA performs even earlier “Gothic” music (Church of the Covenant and Newton’s Trinity Episcopal, October 20-21; 855.427.2092).

Richard Pittman’s BOSTON MUSICA VIVA has juicy new-music events featuring works by Thomas Adès (Tsai Performance Center, September 29; 617.354.6910) and Kurt Weill (November 17). Check out Boston’s other leading new-music groups at their Web sites: Collage New Music, Dinosaur Annex, Alea III, Composers in Red Sneakers, and Gil Rose’s Boston Modern Orchestra Project. And don’t overlook the superb musical events, many of them free, offered by our conservatories, colleges, and universities.

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ARTICLES BY LLOYD SCHWARTZ
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    Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
  •   ALMOST  |  November 12, 2009
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    By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
  •   IN THE SWIM  |  October 14, 2009
    My head’s swimming.
  •   THE ROAR OF THE CROWD  |  October 13, 2009
    I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.

 See all articles by: LLOYD SCHWARTZ

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