And then we come to the opera. Show-tune moments, twanging hooks, rushing percussion, crescendos and caprice, total Who-ness. I’ve no idea what it’s about, but the slow, drum-programmed closer, “Tea and Theatre,” is the most moving Daltrey vocal since “How Many Friends Have I Really Got?”: “Will you have some tea, at the theatre with me?/We did it all, didn’t we? . . . All of us sad, lean on my shoulder now/The story is done.”
Is the story done? These two seniors have shown us that they can come treading out of the dim vales of rock-and-roll dotage with a more than effective album. And it’s clear Pete Townshend will never cease his proboscine probing of the ineffable, his search for the one true note. They might do it again, they might not. I can’t resist: Who knows?
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Townshend’s follies, Long live rock, The 40 greatest concerts in Boston history: 23, More
- Townshend’s follies
Pete's pet projects
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Pete Townshend — slightly hunched and dripping sweat, the words “teenage wasteland” projected on a screen behind him — hit the last guitar chord of the Who’s anthem of unrepentant youthful rebellion and pride, “Baba O’Riley,” and stepped to the microphone. Slideshow: The Who at TD Banknorth Garden, December 2, 2006
- The 40 greatest concerts in Boston history: 23
The Who | the Music Hall | August 6, 1971
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Their two hour show was a loud meditation on both youth and aging. Slideshow: The Who at TD Banknorth Garden, September 16, 2006
- The Who
Pete Townshend’s obsession with the Internet — the best place to get this import-only EP — spills into the band again.
- No reason to complain
There are at least two ways to approach the South by Southwest festival in Austin.
- Forward into the past!
Could it be just a coincidence that as I sit here writing this, a grizzled Bob Seger is gearing up for the release of Face the Promise , the Detroit rocker’s first proper studio album in, oh, forever and a day? The Lemonheads, "No Backbone" (mp3)
- Endless rhapsody
If Queen had not existed, it would by no means have been necessary to invent them.
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Back when his ’60s contemporaries John Lennon and Pete Townshend were making careers out of revealing their innermost thoughts, Ray Davies moved in a different direction, observing everyday life and the quietly fraught people who live it.
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"At the end, he talks about how wonderful it was, but throughout the entire day, Pete Townshend was like the Grinch that stole Christmas. He was uptight, miserable, hated being there, and wanted to go home."
- The New New Age
“In the United States,” wrote novelist and poet Jim Harrison in 1976, “it is a curious habit of ours to wait for the future when it has happened already.”| Daniel Pinchbeck discusses 2012: The Return of Quetzalcoatl (mp3)
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Music Features
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