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EMA | Past Life Martyred Saints
CD Reviews
Lloyd Banks
Rotten Apple | G-Unit
By
MATTHEW GASTEIER
|
October 24, 2006
LLOYD BANKS, ROTTEN APPLE
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1.5
Stars
Lloyd Banks has officially followed G-Unit leader 50 Cent into sophomore mediocrity. It’s not much of a surprise given the junk-food content even when Banks and 50 rode high on their respective debuts. But what was once energetic and tasty now seems to weigh you down and hurt your sex drive. The lead single, “Hands Up,” was so bad that not even a 50 guest spot could get it decent airplay. It led to a delayed release and a new single, the much-improved “The Cake,” which still stalled. Most of the disc is a typical G-Unit head scratcher, mixing radio-friendly bangers with love songs in search of a target audience that doesn’t exist. Neither template works well, mostly because Banks doesn’t do much to make them stick, and his big-name producers (Eminem, 9th Wonder, Needlz) have clearly decided to keep their best beats for rappers who deserve them. But what’s most depressing about
Rotten Apple
is the refusal to run any risk: it’s all focus-group beats under interchangeable flows and choruses. For a gangster, Banks sure plays it safe.
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Black Milk
After a 2006 that saw the loss of two local legends, D12’s Proof and J. Dilla, Detroit appears set for a banner year, with Black Milk leading the charge.
Bow Wow
From its Illmatic -quoting cover to its boasts of “money stacks taller than the Empire State,” 2005’s Wanted was Bow Wow’s coming-of-age album, an opportunity for a youngster known to most listeners as a kiddie-pop novelty to prove himself a rapper worth considering alongside grown-up MCs.
Skill ride
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
Hits and missus
Give you a hint: one of them sizzled, one of them fizzled. Live grime’s a bitch, innit? The Streets and Lady Sovereign at Avalon, June 21, 2006
Mad scientists
Successful hip hop is all about braggadocio.
Reks in effect
Since jumping skills-first onto Boston’s rap scene seven years ago, Lawrence-born MC Reks has earned a variety of reputations.
Sweatshop Union | Water Street
Sometimes the greatest discs are the ones you least expect.
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Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
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For a smart guy, Lupe Fiasco has an unusual propensity for spewing verbal garbage.
DJ Drama
The West Coast is conspicuously under-represented.
N.W.A.
Twenty years later, Straight Outta Compton holds up better than most of the East Coast albums released around the same time.
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ARTICLES BY MATTHEW GASTEIER
UGK
| September 18, 2007
Underground Kingz is not quite an instant classic, but it would be hard to deny that UGK have reclaimed their throne.
TALIB KWELI
| August 20, 2007
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
SKILL RIDE
| July 17, 2007
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
THE HATE-LOVE-HATE CYCLE
| June 18, 2007
The field is already packed with newcomers and veterans alike, all aiming to knock down my standards of good taste and respectability . . .
DIZZEE RASCAL
| June 12, 2007
Boy in da Corner may be the classic Dizzee will be forced to chase for the rest of his career.
See all articles by:
MATTHEW GASTEIER
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