The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

Who is that girl?

Petra Haden, Museum of Fine Arts, October 25, 2006
By BRETT MILANO  |  October 26, 2006

061027_petrahaden_main2
Haden (center) sings The Who Sells Out
Petra Haden is making a career out of covering the un-coverable. When she toured as a Decemberist last year, she stopped the show with Kate Bush’s “Wuthering Heights” — a song that hardly anyone, including the stage-shy Bush, has ever done live. She nailed both the high-register jumps and the haunted mood, and even leader Colin Meloy looked dazzled.

Formerly of the overlooked That Dog and lately an auxiliary Foo Fighter, Haden has become an in-demand session singer; but it’s an oddball project that’s gotten her the most attention. A few years ago her friend Mike Watt gave her a tape of the Who’s 1966 album The Who Sell Out and suggested she sing over it; she eventually replaced all the Who’s parts with her own vocals and released the result. Last night she brought a six-woman chorus dubbed the Sellouts into the MFA for a strictly a cappella show, which drew a surprisingly low turnout of about 75.

Speaking between songs in a nasal Valley Girl voice, Haden apologized for the night’s one screw-up by noting, “I’m sorry, but this is really intricate stuff.” And it was: the night’s two original songs — both wordless pieces from her prior solo album, Imaginaryland (Win) — had many hypnotic layers of shifting parts. Their take on a Bach prelude was likewise a real feat of invention, the sort of thing the Swingle Singers made a career out of in the ’60s. And the set-closing “God Only Knows” had to be the first cover version as gorgeous as the Beach Boys’ original.

Only the first side of the Who’s album was performed, complete with the links and jingles, often treated like they were classic pieces to be precisely recreated — perhaps it takes a classical contralto to get that robot voice on the “Wonderful Radio London” jingle. But Haden delivered the emotion when needed, treating “Our Love Was, Is,” rightfully, a grand outpouring. It was all fun, creative, and true to the spirit of the Who, which is more than I’ll ever say about the Who’s new album.

Related: Bowin' away, Confuzed Disco, Royal resurgence?, More more >
  Topics: Live Reviews , Entertainment, Music, Pop and Rock Music,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

[ 11/30 ]   Sam & Ruby  @ Wolf Den @ Mohegan Sun
[ 11/30 ]   Infinite Ensemble  @ Sally O'Brien's
[ 11/30 ]   Karina Stone  @ Lily Pad
ARTICLES BY BRETT MILANO
Share this entry with Delicious
  •   REVIEW: MICHAEL JACKSON | BLOOD ON THE DANCE FLOOR: HISTORY IN THE MIX  |  July 01, 2009
    Personally, I'm fascinated by Michael Jackson, who may be the only truly deviant artist in modern pop: who would you really find scarier in a dark alley, him or Marilyn Manson?
  •   THE DRESDEN DOLLS  |  May 27, 2008
    No, Virginia ranks with Elvis Costello’s Taking Liberties as a B-sides/leftovers album that turns out to be more fun and more revealing than a thought-out official release.
  •   NO BULL  |  May 19, 2008
    There was nothing campy or kitschy about Herb Alpert’s local appearance this week, and in a way that’s a shame.
  •   MUCK AND THE MIRES  |  April 15, 2008
    If Phil Spector could produce the Ramones, then Kim Fowley can produce Muck and the Mires, local faves whose sound has always been two parts Ramones to five parts British Invasion.
  •   JOE JACKSON  |  April 01, 2008
    Joe Jackson always sounds best when at least some of his original quartet are on board.

 See all articles by: BRETT MILANO

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group