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Long time coming

Thom Enright’s Intoxicated is a heady concoction
By BOB GULLA  |  February 1, 2006

“You know, it was a pretty enjoyable experience as far as getting it made,” says Enright, who recorded the all-analog disc with Jack Gauthier at Lakewest on two-inch tape to 24-track. “It took about a year to make it, but it wasn’t one of those ugly, hair-pulling situations.”

And why would it be? Over the years, Enright has worked with some of the best musicians in the area and he called on them to help with this record. “I had access to some wonderful talent,” he says. “The guys were so inspirational to me, especially Dave Mattacks and Marty Ballou, who were so solid and helpful.”

Intoxicated is a combination of Enright originals and a handful of souped-up covers. Of the former, the lead title track stands out, with some wicked riffs and an edgy arrangement. Of the covers, Enright’s stab at Brian Wilson’s “Don’t Worry Baby” pays the biggest dividends, while Percy Mayfield’s “Never Say Naw” is a sultry piano blues straight outta New Orleans, and his version of Mose Allison’s “Fool’s Paradise” closes the disc with some of his strongest vocals. Enright, already a savvy bass player and accomplished guitarist, pushed himself as a singer here, ranging from cool and quiet to rough and growling. “I don’t consider myself a singer at all,” he admits. “I did it out of necessity. But vocally, making this record helped me quite a bit. I just went for vibe. It could have been done more perfectly, but I really wanted it to have the right feel.”

Surely, after 15 years, it’s gotta feel great to get another album out. Enright laughs, “It’s been a long time coming. The way I see it, you gotta please yourself every once in a while.”

Thom Enright | Chan’s, 267 Main Street, Woonsocket | Feb 3 | 401.765.1900

Soup's new kitchen
Having lived a bumpy, nomadic existence for the past decade, Stone Soup has at last alit on what it hopes will be a permanent home. The venerable folk venue is moving to St. Paul’s Church, located at 50 Park Place in Pawtucket. “It is as fine a home for folk music as you can imagine,” says inveterate Stone Souper Richard Walton. “It is a classic New England church hall, with grace and charm and character, and it has fine acoustics.” The capacity is set at nearly 300, which means the folk house will be able to host bigger shows and avoid turning people away as it did at last weekend’s Lori McKenna show. Plus, there’s lots of free parking in the area and it’s only a minute or two off Route 95 (Exit 27). If that’s not convenient enough, East Siders can drive right up Hope Street/East Ave. Stone Soup’s first show at its new location will be this Saturday (the 4th), with acclaimed local artist Mary Ann Rossoni. “We’re hoping that St. Paul’s Church is the long-term home we’ve long sought,” adds Walton. “This, we believe, will be the last stop and I hope we will be here for many years to come.” 

Wandering eye
Babies in Limbo play February 3 at Gallery X in New Bedford. The three-piece hard rockers just recorded a demo, which they made at UFO Soundlab in Cranston. On Friday at the Rocky Point Pub in Warwick it’s What Matters? and on February 4 it’s Train of Thought and Inner Self Lost. Also Friday, February 3, at Perishable Theatre Maria Ventura & Shayna Gonsalves, Alec K. Redfearn, and Matty Charles will take the stage for a night of quiet music, all for only $5. Jeri & the Jeepsters give Friday night a boost at Mulhearn’s in East Providence. Sharks Come Cruisin’ is playing at Jake’s on February 4; they’ll be recording the show for their upcoming debut disc. “Recording this band in the studio doesn’t make much sense,” they tell us. “We need the audience participation. The more drunks we have singing along, the better the recording will sound.” Barn Burning opens the show.

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  Topics: New England Music News , Entertainment, Music, Music Reviews,  More more >
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ARTICLES BY BOB GULLA
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