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EMA | Past Life Martyred Saints
CD Reviews
T.I. vs. T.I.P.
T.I. | Atlantic
By
DOMINIQUE HENDELMAN
| August 20, 2007
In 1886, it was
The Strange Case of Dr. Jekyll and Mr. Hyde
: dark versus light, yin versus yang. In the summer of 2007, it’s a reprise of “T.I. vs. T.I.P.,” the dichotomy T.I. covered four years ago on his
Trap Muzik
, where T.I.P., his hardcore/street side, battled T.I., his level-headed side. The result was one of the best tracks off that album. But parlaying three minutes into 45 isn’t easy. In “Act I,” T.I.P. flips out on his label and launches a tirade that doesn’t abate for the first seven tracks. T.I.P. gems include the Mannie Fresh insta-hit “Big Shit Poppin,’ ” the Khao-produced “Watch What You Say to Me” with Jay-Z, and the Danja-produced “Hurt” with Busta Rhymes and Grand Hustle affiliate Alfamega. In “Act II,” T.I. wakes to the destruction his alter ego has caused and wrests control. The album falters when its pace slows, as on the abysmal Nelly duet “Show It to Me” and the Runners-produced “Don’t You Wanna Be High.” On “Help Is Coming,” however, Just Blaze recycles the sample from Roc-a-Fella’s “4 Da Fam,” and Eminem’s breezy brass march on “Touchdown” allows T.I. to switch up his flow. By the time T.I. and T.I.P. confront each other in “Act III,” the differences between the two have become trivial. In exploring his split psyche, T.I. forgets what made the excursion interesting to begin with: there’s good and evil in everyone, but you gotta mix the two to get a reaction.
Related
:
Hollyhood wills
,
After-party
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David Banner
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Hollyhood wills
Memphis rappers Three 6 Mafia were trailblazers in the genre of crunk, a species of hip-hop characterized by big and ugly club beats and chanted semi-sensical choruses.
After-party
Don’t be surprised if you hear yourself shouting, “Rewind Selektah!”
David Banner
It would be a stronger statement if it weren’t for the conflicting cornerstones of conscientious-rapper soapboxing and standard-issue gangsta themes he’s laid at its foundation.
Three 6 Mafia
Last 2 Walk is a club-banging record, but it’s hard to recommend something so by-the-book.
Lil Wayne
All rappers ride on the claim that they’re the best, but on III Wayne makes his case.
Rick Ross
It’s easy to hate on Rick Ross for his sub-standard flow and tired materialism.
Tortas out the trunk
The video for Chingo Bling’s “Walk like Cleto” opens in a dank basement full of scantily dressed chicas wrapping packages in butcher paper, drug-cartel style.
Lil Wayne’s world
On his mixtapes, Wayne is the most playful, experimental artist in mainstream hip-hop
Forward into the past!
Could it be just a coincidence that as I sit here writing this, a grizzled Bob Seger is gearing up for the release of Face the Promise , the Detroit rocker’s first proper studio album in, oh, forever and a day? The Lemonheads, "No Backbone" (mp3)
Quitters, tinklers, tacklers, and whoppers
David Berman of Silver Jews intends to quit the music biz and concentrate on writing prose, says a post on the Drag City Web site.
Young Jeezy
In anything resembling a normal world, Young Jeezy would be absurd, a caricature of a stereotype turned into a cartoon.
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ARTICLES BY DOMINIQUE HENDELMAN
AUDIBLE TREATS
| September 12, 2007
When the word “underground” gets attached to “hip-hop,” we’re apt to imagine white boys spouting SAT verbiage in a feeble imitation of the real thing.
AFTER-PARTY
| August 28, 2007
Don’t be surprised if you hear yourself shouting, “Rewind Selektah!”
T.I. VS. T.I.P.
| August 20, 2007
In 1886, it was The Strange Case of Dr. Jekyll and Mr. Hyde : dark versus light, yin versus yang.
KICKIN' IT
| July 31, 2007
What makes a pair of sneakers ultra exclusive?
FABOLOUS
| July 17, 2007
Maybe he should spend less time spelling out his name.
See all articles by:
DOMINIQUE HENDELMAN
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