Carolyn Clay has reviewed in these pages the Théâtre de la Jeune Lune’s Don Juan Giovanni (September 7) and Figaro (September 14) at the Loeb Drama Center, and I wanted add to hers my applause for the high quality of some of the singing. Mezzo-soprano Christine Baldwin (the Carmen in Jeune Lune’s Carmen two years ago) played Charlotte (Mozart’s Zerlina) in DJG and Cherubino in Figaro, and she was heartbreaking in “L’ho perduta,” the comic little minor-key “cavatina” Mozart composed for the minor Figaro character Barbarina (here reassigned to the dying Cherubino). Soprano Jennifer Baldwin Peden (the Micaela in Jeune Lune’s Carmen) played Elvire in DJG and Countess Almaviva in Figaro; as Elvire, she sang an unforgettable “Non mi dir.” Mozart composed that aria for Donna Anna, but when the performance is on this level, it hardly matters which character is singing.
Related:
Love and loss, Movie music, Grand finales, More
- Love and loss
Boston’s biggest classical-music story this year was also its saddest.
- Movie music
Classical music in 2008 Boston did not get off to a brilliant start.
- Grand finales
Jeffrey Rink has just ended his 18th and final season as music director of Chorus pro Musica. He’ll be missed.
- World music
There’s more to Boston’s classical music scene than the Boston Symphony Orchestra.
- Year in Classical: Celebrate!
In Handel's Hercules, the demented Dejanira's loss is still so painful, I was afraid to listen; now I don't want to hear anything else.
- The best of times, the worst of times
This year Boston classical music lost some of its most beloved figures — some, like mezzo-soprano Lorraine Hunt Lieberson, at the very height of their extraordinary powers, others, like opera director Sarah Caldwell and her conductor/collaborator, Osbourne McConathy, after long and gratifying runs.
- Is there a pianist in the house?
Moved and excited by pianist Leon Fleisher in Beethoven’s Emperor Concerto with the Boston Symphony, I wanted to hear it again.
- Erwartung . . .
BOSTON SYMPHONY ORCHESTRA music director James Levine will be back in February to continue his survey of Beethoven and Schoenberg with Metropolitan Opera diva Deborah Voigt in Beethoven’s “Ah! perfido” and Schoenberg’s Erwartung (“Awaiting”), along with Beethoven’s Coriolan Overture and Eighth Symphony (Symphony Hall, February 1-3).
- Odds and endings
The classical-music season is winding up without winding down.
- Rise and fall
With its production of the Kurt Weill/Bertolt Brecht Aufstieg und Fall der Stadt Mahagonny, Opera Boston consolidates its position as this city’s most exciting opera company.
- Low rent
With good singing, acting, and conducting, a stage director for La bohème can afford to keep out of the way, which is pretty much what Ocel does.
- Less

Topics:
Music Features
, David Kravitz, Entertainment, Carl Orff, More
, David Kravitz, Entertainment, Carl Orff, Countess Almaviva, Philip Lima, Collings Foundation Aviation Museum, Donna Anna, Music, Wolfgang Amadeus Mozart, Classical Music, Less