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Bob Dylan

Music seen at the Cumberland County Civic Center, October 4, 2007
By DEIRDRE FULTON  |  October 10, 2007

Let’s get a couple things straight. Bob Dylan is my favorite musician. I think he is a master songwriter — old stuff and new. I have a personal connection with many of his songs; the people that I love and hate the most all have signature Dylan songs that I associate with them. “Positively 4th Street,” for reasons that stretch far beyond its lyrics and tune, is one of my Top Five Favorite Songs of All Time. When I joke about wanting to marry the man, I’m only half kidding, despite our vast difference in age and general vitality.

But when I saw Dylan perform at the Cumberland County Civic Center last Thursday night, I felt like I was watching a husk of my hero, listening to music that I would hate if it wasn’t coming out of the mind and mouth of Bobby D. It was like waking up next to someone and realizing that he’s simply no longer the man you fell in love with. Better to get out now, with good memories intact.

So that’s what we did — we left early.

We’d heard practically spoken-word renditions of “Leopard-Skin Pill-Box Hat” (his opener), and “Don’t Think Twice, It’s All Right.” We’d borrowed a friendly neighbor’s binoculars to get a closer glimpse of the pint-sized figure up on stage, the one with the black suit, the white cowboy hat, and the rough, grumbly voice. We’d tried to make ourselves care about lively-but-largely-unintelligible bluesy songs from his more recent albums.

The biggest cheer came toward the end of “Spirit on the Water,” from his 2006 release, Modern Times: “You think I’m over the hill,” he mumble-shouted, “You think I’m past my prime.” The audience was telling him they didn’t — but it was hard to believe they weren’t clinging to the past, too.

Related: Sideshow Bob, The Big Hurt: Season's bleatings, Dead of Winter + Fiery Furnaces, More more >
  Topics: New England Music News , Entertainment, Music, Bob Dylan,  More more >
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Comments
Bob Dylan
Why does every concert review in the Portland Phoenix have to include a reference to the fact that the reviewer left the show before it was over? Isn't the job of a concert reviewer (at a minimum) to attend the concert and then write about it? Isn't that task incomplete if the reviewer does not stay for the whole show? Is the implication supposed to be that the reviewer is so cool that they have somewhere better to be? Or is it not really that important to experience the entire event if all you are going to write about is yourself anyway? Would it be too much to ask for some concert reviews that actually discuss the music?
By Doug on 10/10/2007 at 10:43:35
Bob Dylan
In response to Portland Phoenix writer Deirdre Fulton's prob about Bob Dylan's recent concert in Portland, it may well be her old memories got in the way of her analysis work that night. I mean, everyone (even Dylan) deserves a chance to evolve artistically. In no way is his career going backwards, except maybe in the minds of a few fans who expect history to repeat itself. This opinion comes from a relatively new "fan" -- crap how I hate that word. I've never memorized his stuff nor plan to, but I bet Fulton has. Dylan sounded so much better than some of the loud rap music kids these days love blaring out their car windows on the street. But no need to compare. Evenso, folk and rap simultaneously coming out of a youthful '60's guy still evolving? Certainly that sinks some old expectations. Loyal fans need to get over the past and appreciate Dylan's metamorphosis, imperfections and all. Thank heavens noone's perfect, hey Portland Phoenix?
By N. Page on 10/11/2007 at 6:34:36
Bob Dylan
In response to these responses, I attended the Dylan show as well in hopes of reviewing it for publication. I did stay for the entire show, but out of sheer and utter desperation that the show would somehow improve before Dylan walked off the stage. Sadly, it did not. I would be surprised to hear that any audience member that night really enjoyed Dylan's set, whether you are an old or new fan. The man, legend though he is, has a voice these days that I should have been paid $50 to listen to. It was literally the worst show I've ever been to, which was a shame because his band sounded great. The best parts of the show were when Dylan wasn't singing, those brief interludes were actually quite enjoyable. Otherwise, as someone who attended the show excited to hear an icon in my own city, I'd say Fulton was dead-on in her review of the show. N. Page says no one's perfect, but we're not asking for perfection from Dylan. We'd settle for something audible, and we certainly didn't get it on Oct. 4. I have no idea of a single word Dylan spoke, other than the recognizable old favorites that I'd memorized and could distinguish through the melodies. If you're going to trash on a reviewers opinion of the show, you probably should have--at the very least--gone to the show itself.
By carson84 on 10/18/2007 at 12:10:40

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