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Chairmen of the boards

By PHOENIX MUSIC STAFF  |  October 18, 2007

jbrion
Jon Brion

Jon Brion
Landmark work Kanye West, Graduation
Ass-kicking recent release Spoon, “The Underdog”
Wrestling name Sugar Magnolia!
A behind-the-scenes fixture on the LA singer-songwriter scene, Jon Brion sees no reason why a nice little folk-pop album can’t offer the same amount of ear-tickling detail as a state-of-the-art hip-hop track. His productions for Aimee Mann, Robyn Hitchcock, and Old 97’s frontman Rhett Miller are compact marvels of instrumental and textural detail. Ironically, it was his work on a version of Fiona Apple’s Extraordinary Machine album (a version that never saw the light of day) that brought him as close as he ever has been to household-name status. After squabbles with Apple and the label, Brion was canned and the album was finished by Mike Elizondo (see below), but a leaked Brion version of the album became an illicit Internet sensation, and Brion used the renown to expand his portfolio. First, he became a go-to guy for whimsical film-score sounds (that’s him plucking your heartstrings in Punch-Drunk Love and Eternal Sunshine of the Spotless Mind). Second, he started making state-of-the-art hip-hop tracks. Kanye West hired him to juice up material on both Late Registration and the new Graduation. Brion the orchestral maximalist also produced “The Underdog,” the hit cut on indie-rock minimalists Spoon’s recent Ga Ga Ga Ga Ga, which demonstrates his growing devotion to diversification.|
— Mikael Wood

danger_mouse
Danger Mouse

Danger Mouse
Landmark work Danger Mouse, The Grey Album; Gnarls Barkley, St. Elsewhere
Highly anticipating upcoming release Black Keys’ next album, as yet unnamed
Wrestling name Ikonoklast!
Known to his mother and to the Social Security Administration as 30-year-old Brian Burton, Danger Mouse has made a career out of defying easy description. Is he a smart-ass underground hip-hop guy, as suggested by his work with rappers Jemini and MF Doom? Or is he a touchy-feely soul-music maven, best represented by his hit collaboration with Cee-Lo in Gnarls Barkley? He’s also worked with scruffy hipster bands such as the Rapture and Sparklehorse — so is he a rock dude? The answer to all questions is, Yes. Danger first turned heads with 2004’s Internet-only The Grey Album, his meticulous mash-up of Jay-Z’s The Black Album raps with the Beatles’ “White Album” music. Since then, he’s treated the strictures of genre with very little respect. If it’s a sonic signature you’re looking for, start with chewy beats and then proceed to catchy choruses and crisp headphone background noise. But most important, expect the unexpected: Danger’s currently at work in the studio with the Ohio blues-rock duo the Black Keys, and he just finished work on a new album by former Tricky associate Martina Topley-Bird. He’s most interested in keeping us guessing.
— Mikael Wood

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Related: Guest lists, Neo-new-what?, Post-punk pantheon, More more >
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Comments
Chairmen of the boards
If a hack like Matt Squire's name is now etched in the history of music, I want nothing to do with it. Heres a history lesson for Mr. Squire, Emo did not start with pop-punk garbage like the bands you mentioned, but rather in the Revolution Summer of D.C. Bands like Rites of Spring and Minor Threat birthed Emo, and are nothing like the trash you work with and produce for.
By Max Gelber on 10/19/2007 at 3:45:02
Chairmen of the boards
did you fact check sylvester's contributions? to make sure they exist?
By what? on 10/21/2007 at 6:14:36

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