The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

Nat Baldwin

Music seen at Strange Maine, October 11, 2007
By CHRISTOPHER GRAY  |  October 24, 2007

Before this recent October heat wave prolonged our endless foliage season, it was getting to be one of my favorite times of year: hot chocolate at Strange Maine time. As I devised a means of surreptitiously hiding the Starbucks logo (long story...) of my (sadly, delicious) drink, Nat Baldwin — the night’s featured performer — unexpectedly took the floor first. His music was a suiting accompaniment to the beverage, an uplifting soundtrack to the frosts to come.

Baldwin, an upright-bass player, was joined by a three-piece backing band. Road-weary and admittedly hung over, their somewhat haggard condition didn’t hinder the performance, aside from Baldwin’s slightly hoarse vocals and the part where he almost fell over playing his bass. Anyway, the music: on record, Baldwin’s songs are lushly arranged and well-populated with guitar and effects, a more gentle cousin to the often-glorious shrill of his pals in Dirty Projectors; in concert, his music comes off as more straightforward, jazz-inflected singer-songwriter stuff.

Fortunately, it’s still gorgeous. Baldwin’s drummer thrives on syncopated rhythms with the grace of an improvisationalist, and his own technique on the bass is inventive and dynamic. The group’s strengths coalesce on the “Lake Erie,” which opened both the set and Baldwin’s forthcoming album, Most Valuable Player. His vocals were hard to discern over the din of a full band, but his falsetto — best employed on scats that start at a high pitch, then pull back and seem to eat themselves — even at minimum volume, is heartfelt and cathartic, something you yearn to become familiar with. While better suited to a larger, mic-ed venue, the short set was a nice teaser for a newly-local (he lives in Bar Harbor while he’s not touring) artist I’ll be obliged to tell you a lot more about as I start compulsively playing his album during early winter snowstorms. Ready and waiting, nature...

Related: Symphony of buds, Photos: Dirty Projectors and Vieux Farka Touré live at Somerville Theatre, Prodigy, More more >
  Topics: New England Music News , Entertainment, Music, Pop and Rock Music,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments
Nat Baldwin
Oh, please do not tease us with the exquisite possibility that we might actually learn about the fascinating turn of events leading up to your shameful drinking of Starbucks hot chocolate--only to be ultimately denied the delicious details of your beverage selection follies! Also, is an "improvisationalist" the same thing as an "improviser"--only more of an improvisationalized grammaticalarian word choice?
By Doug on 10/24/2007 at 3:11:39

[ 11/25 ]   "Stainless: Industrial Dance Night"  @ Zuzu
[ 11/25 ]   Ellen O’Brien  @ M Bar & Lounge
[ 11/25 ]   Tod Duarte Band  @ Steve’s Backstage Pass
[ 11/25 ]   "Toe Jamm"  @ Dodge Street Bar & Grill
[ 11/25 ]   Hugh McGowan  @ Toad
ARTICLES BY CHRISTOPHER GRAY
Share this entry with Delicious
  •   IT TAKES A VILLAGE  |  November 24, 2009
    Treble Treble , a new 15-page photobook and 10-artist compilation album curated by local musician and budding photographer Joshua Loring, is the first concerted effort to market Portland's indie music scene.
  •   NO SLEEP ’TIL BROOKLYN  |  November 18, 2009
    There’s a lot to love about Slumberland Records, the DC-born, Oakland-based label that celebrated its 20th anniversary last weekend with sold-out shows in Washington, DC, and Brooklyn.
  •   BROWN BIRD IN WILLIAMSBURG  |  November 18, 2009
    Along with other Mainers in Brooklyn this weekend playing at the Slumberland Records 20th anniversary celebration, Maine/Rhode Island chamber-folk standouts Brown Bird were also in the borough, playing the narrow Williamsburg bar Spike Hill Sunday night.
  •   YE + HARU BANGS + BATSHELTER  |  November 04, 2009
    Who was the least idiosyncratic band at Bubba’s last Thursday? Maybe the (not breaking up, but going on academic hiatus) duo Haru Bangs, who were the only act in plainclothes, but who also unfurled dynamic, punishingly loud fits of drum and effects-mauled guitar which will either strike you as utterly alienating or as novel, dizzying bits of well-composed chaos?
  •   ROLLING STONED  |  November 04, 2009
    Every new gambit is just another log on the roaring bonfire of Jonathan Lethem's eighth novel.

 See all articles by: CHRISTOPHER GRAY

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group