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CD Reviews
DJ Drama
Gangsta Grillz: The Album | Atlantic
By
ANDREW GRAHAM
|
December 26, 2007
DJ DRAMA, GANGSTA GRILLZ THE ALBUM
" alt="photo of 'DJ DRAMA, GANGSTA GRILLZ THE ALBUM'">
2.5
Stars
The first legal installment of DJ Drama’s
Gangsta Grillz
mixtape series has arrived, and the West Coast is conspicuously under-represented, a result of the shift in the balance of hip-hop power that has taken place in recent years to the South and the East. Drama, an Atlanta-by-way-of-Philly party DJ who worked his way up hustling street corners, has been dropping gray-market mixtapes for several years now, creating a brand that had household names like Lil’ Wayne coming to him for
Gangsta
Grillz
endorsement. Fearturing a plethora of MCs from the East Coast (Lloyd Banks and the G-Unit) and the Dirty South (8-Ball & MJG and Slim Thug), this disc (officially titled
The Album
, so as to distinguish it from the mixtapes that have come before) often keeps the Southern rappers seated at their own table. But it’s the cross-country collabos that are the real standouts. Posse cuts can suffer by cramming too many MCs onto one track, but on lead single “5000 Ones,” the seven participants shine (particularly Nelly, T.I., and Young Jeezy), and “Cannon RMX” shows why Drama and Weezy, a former collaborator turned adversary, are much better off being friends. Devin the (underrated) Dude’s sweet verse on “Beneath the Diamonds” is a perfect complement to the cushy beat, and don’t leave before Pharrell and the Clipse close with “Cheers.”
Related
:
The Big Hurt: The week in beef (in brief)
,
The street scene
,
Pop goes a Neptune
,
More
The Big Hurt: The week in beef (in brief)
A recessed economy means fewer chains to go around, so it's been a fine week for a-fussin'-and-a-feudin'.
The street scene
Without getting into the history and the morality of mixtapes, it’s worth mentioning that Pharrell isn’t the first rapper who’s scored more artistic points with a mixtape than with a sanctioned label release. Pop goes a Neptune: Pharrell Williams raps his way into a corner. By Nick Sylvester
Pop goes a Neptune
Pharrell is a fascinating rapper when he lets himself go — so why does In My Mind blow so hard? Listen to the best of the Neptunes throughout the years
Guest lists
What small, private lists like this remind us is that big, honking institutional lists are largely fictions, mirages of a consensus that no longer exists, if it ever really did in the first place.
After-party
Don’t be surprised if you hear yourself shouting, “Rewind Selektah!”
Three 6 Mafia
Last 2 Walk is a club-banging record, but it’s hard to recommend something so by-the-book.
T.I. vs. T.I.P.
In 1886, it was The Strange Case of Dr. Jekyll and Mr. Hyde : dark versus light, yin versus yang.
Hollyhood wills
Memphis rappers Three 6 Mafia were trailblazers in the genre of crunk, a species of hip-hop characterized by big and ugly club beats and chanted semi-sensical choruses.
Idlewild
Outkast’s music, like the rest of the film, is respectful of the past but most uneven. Watch the trailer for Idlewild (QuickTime)
Dance, Monkey: Nick Prueher
I'm wearing Debbie Gibson’s Electric Youth.
David Banner
It would be a stronger statement if it weren’t for the conflicting cornerstones of conscientious-rapper soapboxing and standard-issue gangsta themes he’s laid at its foundation.
Less
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| November 16, 2010
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| November 02, 2010
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