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Here and now

By BRETT MILANO  |  March 24, 2008

Yet you don’t sense the whole point is to turn back the clock. Take away the requisite anti-Bush lyrics (and the related “Houston,” about a Katrina exile) and Accelerate is largely about staring down a midlife crisis. Parts of the disc seem pitched to a certain audience — people with romantic associations of R.E.M. from their college-radio days who are now checking back in. “Sing for the Submarines” courts that audience by working a batch of old R.E.M. titles into the lyrics, and by adapting a warm Beatlesque sound. It works because Stipe sounds as down-to-earth as he ever has, and because the reassurance he offers seems honest. It’s an obvious topic for R.E.M. to write about as the members hover around 50, just as the rocking tone of Accelerate is an obvious move at this point. Sometimes the obvious can be a beautiful thing.

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Related: R.E.M., Déjà vu, Local heroes, More more >
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ARTICLES BY BRETT MILANO
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  •   REVIEW: MICHAEL JACKSON | BLOOD ON THE DANCE FLOOR: HISTORY IN THE MIX  |  July 01, 2009
    Personally, I'm fascinated by Michael Jackson, who may be the only truly deviant artist in modern pop: who would you really find scarier in a dark alley, him or Marilyn Manson?
  •   THE DRESDEN DOLLS  |  May 27, 2008
    No, Virginia ranks with Elvis Costello’s Taking Liberties as a B-sides/leftovers album that turns out to be more fun and more revealing than a thought-out official release.
  •   NO BULL  |  May 19, 2008
    There was nothing campy or kitschy about Herb Alpert’s local appearance this week, and in a way that’s a shame.
  •   MUCK AND THE MIRES  |  April 15, 2008
    If Phil Spector could produce the Ramones, then Kim Fowley can produce Muck and the Mires, local faves whose sound has always been two parts Ramones to five parts British Invasion.
  •   JOE JACKSON  |  April 01, 2008
    Joe Jackson always sounds best when at least some of his original quartet are on board.

 See all articles by: BRETT MILANO

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