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Lost and found

By FRANKLIN BRUNO  |  April 1, 2008

The standout tracks from the land that gave us “Je t’aime” are, no surprise, male/female duets. The interplay of vocal timbres alone places Ruth’s “Polaroid-Roman-Photo” in the company of such ’80s-night master-and-servant staples as Berlin’s “Sex (I’m a . . . )” and Animotion’s “Obsession.” (The track also features a notably non-synthetic horn section.) And on Deux’s “Game and Performance,” sung in English, une femme laments, “You simulated your love for me,” only to be answered by un homme in oblique, atomized phrases: “Businessmen . . . computer programs, shadows in the night.” It’s like eavesdropping on pillow talk between Nicolas Sarkozy and Carla Bruni: the effect is sexy, creepy, and more intimate than you might be comfortable hearing.

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Comments
Lost and found
Do you know if this is available on DVD?
By mwg on 01/24/2008 at 7:45:40

ARTICLES BY FRANKLIN BRUNO
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  •   LOST AND FOUND  |  April 01, 2008
    There’s scant digital evidence that one Tona Omaha exists or ever existed: he has one on-line mastering credit on a 1996 disc of guitar instrumentals.
  •   COVERINGS  |  March 10, 2008
    If the title teen of Juno can dismiss Sonic Youth as “just noise,” what would a representative of a generation for whom quiet is the new loud make of the even harsher sonic barrages of first-wave punk?
  •   PEACE MEAL  |  January 14, 2008
    Open-eared rockers often pay lip service to outré jazz figures, but this HNIA exploration is deeper and more selfless than the usual soundboy dabbling.
  •   FREESTYLE FELLOWSHIPS  |  November 06, 2007
    Although crunk partisans probably won’t care for the comparison, LA rapper Busdriver might be thought of as the indie hip-hop analogue to Lil’ Wayne.
  •   THE WRIT STUFF  |  November 01, 2007
    Cass McCombs upends standard persona-building moves.

 See all articles by: FRANKLIN BRUNO

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