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Passion-less

By LLOYD SCHWARTZ  |  April 2, 2008

The rest of the program offered a minor-key Corelli concerto grosso (Opus 6 No. 3), a lesser Vivaldi concerto for oboe (Stephen Hammer) and bassoon (Andrew Schwartz), and elegantly, setting up the Handel, a Locatelli concerto grosso called Il pianto d’Ariana (“Ariadne’s lament” — lots of bereaved ladies in 18th-century Italian music), with Stepner shining in his dual role as conductor and soloist.

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Related: Decent catch, Too much too soon?, But not simpler, More more >
  Topics: Classical , David Kravitz, Entertainment, Antonio Vivaldi,  More more >
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ARTICLES BY LLOYD SCHWARTZ
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  •   OPEN SPACES  |  December 02, 2009
    In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the orchestral sound was the placement of the first and second violin sections on opposite sides of the stage.
  •   CREATIONISTS  |  November 18, 2009
    Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
  •   ALMOST  |  November 12, 2009
    The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.
  •   BLESSINGS: MIXED AND OTHERWISE  |  October 28, 2009
    By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
  •   IN THE SWIM  |  October 14, 2009
    My head’s swimming.

 See all articles by: LLOYD SCHWARTZ

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