The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

All-ages for all

Opening Café 939
By JON GARELICK  |  April 2, 2008
INSDIEOUTEASTER
Julia Easterlin

Berklee College of Music continues with its DIY curriculum, one that could pay dividends to the music community at large. The school already has two student-run record labels (Heavy Rotation and Jazz Revelation), and now it has its own all-ages club, Café 939, a 200-capacity venue at that address on Boylston Street, across the hall from the Cactus Club. With the guidance of administrator and former Rat booker Jackie Indrisano, the students handle everything, from booking bands to running lights and sound and serving snacks. But the participants insist that the stage is open to anyone, students or not, in all genres.

At the opening party for 939 a week ago Wednesday, Roger Brown, president of Berklee since 2004, said, “When I got here, I kept saying, ‘We’ve got to have the students do a club.’ I was following what was going on, and I knew about the problems of having all-ages shows at places that serve alcohol. And I’ve got teenage kids — where do they go for good music?”

Chris Tory, one of three talent buyers, said the idea will be for the club to get bands or artists “with a huge buzz — people we might not be able to get in a couple of months.”

At the party, endless plates of grilled sandwich halves and cupcakes streamed from the kitchen through the room, with its red-painted walls and tall windows. Four Berklee acts played — all ridiculously accomplished. The four-piece jazz band the Fix plied electric-guitar jazz rock while their pianist, a woman in a floppy Sherpa knit cap with a giant pompon, grinned wildly. The country-folk outfit Annie Lynch and the Beekeepers featured a cellist and a string player who “doubled” on mandolin, guitar, and banjo. Singer Joy Daniels fronted a seven-piece funk band and, typical of Berklee events, had a ringer sit in for a couple of numbers — drummer John Blackwell, of Prince’s band and lately with Justin Timberlake. And Julia Easterlin sat on a stool and accompanied herself with a loop-delay board on her lap, feeding it layers of vocal and percussion rhythms before singing a charming love song about a cab ride in the rain.

Another ringer was scheduled to come into 939 April 2 and 3 — rising alto-sax star Miguel Zenón, leading his own quartet and jamming with students. And Owen (a/k/a Mike Kinsella of American Football) will be in this Friday, April 4, with Unwed Sailor and Brooke Waggoner.

Related: Cooling it, 25 Classes That Will Get You $50K, Steering off course, More more >
  Topics: Live Reviews , Justin Timberlake, Berklee College of Music, Annie Lynch,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

[ 11/26 ]   Cartells  @ Wolf Den @ Mohegan Sun
[ 11/26 ]   "Thanksgiving Night of Super Stars"  @ Roxy
[ 11/26 ]   Orch Septentrional  @ Moseley's on the Charles
[ 11/26 ]   "Mash-Ups & Top 40"  @ Wonder Bar
[ 11/26 ]   "Signature Thursdays"  @ Rumor
ARTICLES BY JON GARELICK
Share this entry with Delicious
  •   ERIK DEUTSCH | HUSH MONEY  |  November 25, 2009
    Having played in projects from jam bands to jazz and as a singer-songwriter accompanist, keyboardist Erik Deutsch led an acoustic jazz album for his debut.
  •   MIXED MEDIA  |  November 18, 2009
    Film noir has been a running theme in composer/pianist Ran Blake's work since the beginning of his career — his very first album, The Newest Sound Around (RCA, 1962), with singer Jeanne Lee, began with David Raskin's theme to Otto Preminger's Laura .
  •   LIVE AND ON RECORD  |  November 04, 2009
    To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.
  •   HENRY THREADGILL ZOOID | THIS BRINGS US TO, VOLUME 1  |  October 28, 2009
    Henry Threadgill has been reinventing his language — and by extension the jazz language — for at least 30 years, beginning with the trio Air in the 1970s.
  •   SLOW HAND  |  October 21, 2009
    In his Village Voice review of Jeremy Udden’s Plainville (Fresh Sound New Talent), Jim Macnie recalled how a friend of his tried to file it as “jazz for Wilco fans.” As Macnie explained, that’s not the whole story with Udden or Plainville , but it’s not a bad starting point.

 See all articles by: JON GARELICK

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group