The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

Portishead

Third | Island
By MATT PARISH  |  April 22, 2008
3.0 3.0 Stars
080425_portishead_main
David Lynch took back his spooky, crackly beats and the band replaced them with a pile of electronics and rickety, minimalist percussion to craft this ultra-depressing ode to watching it all slip away. Listening to the long-awaited curveball that is Third is like watching rotten harbor debris, scavenger sea gulls, and massive tankers float by. “Nylon Smile” melds a repetitive hand drum with backwards guitar warbles as a bed for Beth Gibbons to deliver a helpless goodbye: “I don’t know what I’ve done to deserve you/And I don’t know what I’ll do without you.” It’s an empty, bewildered feeling that pervades the entire album. “The Rip” follows, twisting a wilting guitar into a chorus of soul-crushing synth tones oozing up from the buried scores of John Carpenter films. They’d sound like an ’80s after-school special if it weren’t for the drugged one-two beat and Gibbons’s near-death whispers. Anyone expecting a return to the slick cinemafunk of ’90s Portishead will be taken aback by Third, but though the album never reaches the eureka moments of old, it’s a welcome step into new territory and a more than satisfying downer dose to set against the onset of sunny days and ice cream.
Related: Dreaming of celluloid, Dancing in the Dark, Origin of species, More more >
  Topics: CD Reviews , Culture and Lifestyle, Food and Cooking, Foods,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

[ 11/25 ]   "Stainless: Industrial Dance Night"  @ Zuzu
[ 11/25 ]   Ellen O’Brien  @ M Bar & Lounge
[ 11/25 ]   Tod Duarte Band  @ Steve’s Backstage Pass
[ 11/25 ]   "Toe Jamm"  @ Dodge Street Bar & Grill
[ 11/25 ]   Hugh McGowan  @ Toad
ARTICLES BY MATT PARISH
Share this entry with Delicious
  •   SWEET SORROW  |  November 11, 2009
    Everybody loves a tidy ending. Episodes of Seinfeld , fireworks finales, a sturdy hem at the base of a pant leg — these things give us faith that the designer knew what he was doing.
  •   THE EVIL DEAF  |  November 05, 2009
    Inside the dusty corner room of a dungeon-like warehouse basement, Karl Giesing dumps out a bag full of pedals, samplers, grimy cables, and homemade synth boxes. Their functionality seems questionable.
  •   DREAR LEADERS  |  October 27, 2009
    On the Black Heart Procession’s first visit to Boston, back in ’98, the duo hunched on chairs at the Middle East downstairs surrounded by equipment — keyboards, guitars, a musical saw, an array of percussion.
  •   RHYTHM QUEENS  |  October 21, 2009
    It’s a chilly Monday afternoon, and at the head of the lawn in front of the Christian Science Center, Zili Misik are starting soundcheck, bear-hugging their instruments to keep them warm.
  •   AN UNSTOPPABLE FORCE  |  October 15, 2009
    Appreciation of Converge is one of those things that comes after you stop trying too hard, like driving stick without stalling at the red lights.

 See all articles by: MATT PARISH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group