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CD Reviews
Silver Jews
Lookout Mountain, Lookout Sea | Drag City
By
RICHARD BECK
|
June 24, 2008
SILVER JEWS, LOOKOUT MOUNTAIN, LOOKOUT SEA
" alt="photo of 'SILVER JEWS, LOOKOUT MOUNTAIN, LOOKOUT SEA'">
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Lookout Mountain, Lookout Sea
is not the slow journey into darkness that you might by now expect from the Silver Jews. At once wry, witty, and weird, this not-quite-coherent set of songs is a more freewheeling tour of lead singer David Berman’s increasingly playful lyrical sensibilities. The never-ending story song “San Francisco, B.C.” chugs along for more than six minutes with all the jittery energy of Dylan’s “Lily, Rosemary, and the Jack of Hearts,” caroming from crime to love to witty jabs at silly haircuts and back again. Berman’s band of country-rock session musicians play with none of the studied laziness that marked the Jews’ earlier records —they’ve got their ducks in a row, even managing a few brisk piano runs. Although the record is on the slight side — there’s simply no replacing the inexorable, existential pushing forward of “Dallas” or “Smith & Jones Forever” — Berman still has a knack for catching you off guard with moments of strange beauty.
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ARTICLES BY RICHARD BECK
PLUCK AND DETERMINATION
| March 09, 2010
People have always thought that Joanna Newsom was indulgent. At first, it was about her voice — the kind of nasal yelp that usually keeps a performer from getting on stage at all. Then, on her second album, it was about her vocabulary and her instrumentation.
SONG OF HERSELF
| August 05, 2009
"Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
DJ QUIK AND KURUPT | BLAQKOUT
| June 15, 2009
LA hip-hop has two threads, and DJ Quik pulls both of them. The first is g-funk, a production style that relies on deep, open grooves and an endless parade of funk samples.
FLIPPER | LOVE
| May 26, 2009
Flipper formed in San Francisco in 1979, and they're remembered three decades later because of a song called "Sex Bomb" that's one of the funniest pieces of music I've ever heard.
ST. VINCENT'S ACTOR GETS A RUN-THROUGH
| May 26, 2009
There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.
See all articles by:
RICHARD BECK
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