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Battles | Gloss Drop
CD Reviews
Jeff Hanson
Madam Owl | Kill Rock Stars
By
MICHAEL PATRICK BRADY
|
August 19, 2008
JEFF HANSON, MADAM OWL
" alt="photo of 'JEFF HANSON, MADAM OWL'">
3.0
Stars
Much has been made of Jeff Hanson’s voice, a silky soprano from the throat of a 30-year-old man that’s as startling as the falsetto of Death Vessel’s Joel Thibodeau. (See
Richard Beck’s review of
Nothing Is Precious Enough for Us
.) You’d almost think a woman or a young boy was singing. But that’s not
Madam Owl’
s only distinction. Hanson has augmented the sparse, acoustic folk of his previous albums with a backdrop of strings and horns, thus giving these songs greater depth and body. On “If Only I Knew,” he sharpens the focus with a plucky banjo that cultivates a playful, welcoming tone. In the background, trumpets swell and recede, subtle, yet providing a necessary push. “Maryann” finds him unaccompanied, and the combination of his æthereal voice and the song’s music-box melody is entrancing. Under the microscope, Hanson’s voice has a flat affect; this lack of dynamics means a lack of variety. Nevertheless,
Madam Owl
is carried by his excellent songcraft and pleasantly delicate arrangements.
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ARTICLES BY MICHAEL PATRICK BRADY
THE FALL | YOUR FUTURE OUR CLUTTER
| April 27, 2010
If you didn’t know any better, you might think that Your Future Our Clutter is a recording of a raving old lunatic heckling a very solid instrumental band.
SAM AMIDON | I SEE THE SIGN
| April 15, 2010
Sam Amidon is fascinated with the songbook of old Americana, and his radical yet tasteful reimaginings of traditional folk ballads and hymns breathe new life into a form often seen as quaint and old-fashioned.
RED SPAROWES | THE FEAR IS EXCRUCIATING, BUT THEREIN LIES THE ANSWER
| March 30, 2010
Post-rock bands are like silent-film actors — bereft of words, they tend to use broad gestures to ensure that you get the point.
THESE NEW PURITANS | HIDDEN
| March 09, 2010
Hidden is a real UK horror show, mixing grim, industrial beats with mannered, regal horns and a persistent aura of foggy uneasiness. These New Puritans reveal a penchant for æsthetic violence and revolutionary action that, though rarely convincing, matches the uncompromising intensity and martial tenor of the music.
CLOGS | THE CREATURES IN THE GARDEN OF LADY WALTON
| March 03, 2010
Fusion experimenters Clogs take a modern approach to folk-flavored chamber music.
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MICHAEL PATRICK BRADY
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