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Battles | Gloss Drop
CD Reviews
Brian Wilson
That Lucky Old Sun | Capitol/EMI
By
DEVIN KING
|
September 2, 2008
BRIAN WILSON, THAT LUCKY OLD SUN
" alt="photo of 'BRIAN WILSON, THAT LUCKY OLD SUN'">
2.0
Stars
Quashing all hopes that this might be another
Smile
or
Pet Sounds
(maybe? . . . just maybe?), Brian Wilson and his karaoke-smooth backing band the Wondermints have instead given us something on par with 1970s Beach Boys — kinda bloated, kinda silly, mostly out of date, but with enough earnestness and pop intuition to be so, so, so puerile that hating it would be like hating Raffi (just try critiquing “Bananaphone”). This, uh, concept album begins with Wilson playing the role of the lucky old sun (yeah), watching over all the failed actors and writers of LA. But, through the transformative power of junior-high homophones, about halfway through the record, Wilson becomes the
son
while the lyrical content turns toward romantic autobiography: “At 25 I turned out the light cause I couldn’t handle the glare in my tired eyes.” The music is vintage Wilson — chugging surf rhythms laying a base for dorky five-part harmonies with plenty of “doo-doo” and “wah-wah” — but damned if the introspective piano ballad “Midnight’s Another Day” isn’t a hell of a swan song. If this is it for Wilson, it’s a pleasant enough end.
Related
:
The erstwhile Beach Boy
,
Boys of summer
,
Hanging ten or hanging on?
,
More
The erstwhile Beach Boy
Brian Wilson may have spent a few years in bed, but he’s been up and about for the last few years.
Boys of summer
When Watertown novelist Mike Heppner needed a “spiritual guide” for his New England-set novel Pike’s Folly , he fictionalized the Beach Boys’ reclusive genius Brian Wilson.
Hanging ten or hanging on?
This article originally appeared in the April 26, 1977 issue of the Boston Phoenix.
Heart
Heart are fast becoming the world’s best classic-rock cover band.
The power of pop!
Dashing down the corridors of the hallowed power pop pantheon comes Minky Starshine and the New Cardinals, Providence’s latest, and perhaps most intermittent, aspiring hitmaker.
Nobody
It’s the Monkees’ “Porpoise Song” (a track Nobody has covered) expanded into a full-blown stoner opera.
Something for everybody
As that great philosopher Brian Wilson once observed, summer means fun.
Rock and roles
A good number of the jokes in Walk Hard: The Dewey Cox Story are available for your amusement right now, well ahead of the film’s December 21 theatrical-release date.
Flashbacks: October 6, 2006
These selections, culled from our back files, were compiled by Dan Peleschuk, Ian Sands, and Eva Wolchover.
Good Grooves
For many reasons, much great music is created in the darker recesses of the mind, where dreariness, despondence, and desolation rule. Of course, it doesn’t always have to be the case.
Size matters
The Shins’ third album, Wincing the Night Away (Sub Pop), is as good as any rational mortal should expect an indie-pop album to be in the winter of 2007. The Shins, "Phantom Limb" (mp3)
Less
Topics
:
CD Reviews
,
The Beach Boys
,
Brian Wilson
,
Devin King
|
More
ARTICLES BY DEVIN KING
FATHER MURPHY | ... AND HE TOLD US TO TURN TO THE SUN
| July 29, 2009
Harking back to an America where one's own lonely voice was the only radio and a BBQ meant a spit in the middle of the desert, Torino's Father Murphy hide detuned industrial textures within stripped-down, spacy folk instrumentation, like a man in a black hat picking up a bullet-riddled guitar with which to serenade his captives.
SOUNDCARRIERS | HARMONIUM
| May 27, 2009
The first album from this Nottingham-based band is California dippy: whispered female/male harmonies, slack flutes, swinging drums, comping Hammond organs, and a bass player who finds basic funk riffs in every progression.
THE MOVING PICTURES
| May 12, 2009
If one way that bands tie themselves to the past is through sonic reference — Fleet Foxes calling forth Crosby, Stills and Nash, or Animal Collective channeling the Grateful Dead — then there's been a number of bands who tie themselves to the past through cultural reference.
VARIOUS ARTISTS | OPEN STRINGS: 1920S MIDDLE EASTERN RECORDINGS
| May 06, 2009
Over the past year, Honest Jon's has released three compilations culled from more than 150,000 78s of early music from the EMI Hayes Archive: music from 1930s Baghdad, early West African music recorded in Britain, and a more general compilation that moved across country lines and the first half of the 20th century.
PAPERCUTS | YOU CAN HAVE WHAT YOU WANT
| April 14, 2009
Hidden under reverb and aggressive analog production, the first sung lyrics on You Can Have What You Want belie what seems to be a cheery record title: "Once we walked in the sunlight three years ago this July."
See all articles by:
DEVIN KING
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