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Battles | Gloss Drop
CD Reviews
Pedal | Pedal
Staubgold (2008)
By
DEVIN KING
|
October 15, 2008
PEDAL | PEDAL
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3.0
Stars
Pedal are an improvisational piano duo who synthesize the languid and slightly dissident chords of Morton Feldman with the more familiar repetitive drones of early minimalism. The surface of the music isn’t particularly intriguing; any undergrad who has a few Satie discs in his or her collection — for studying
and
making out! — would find the same passive ambiance on this album. What is remarkable about the record is the patient investigation of the happened-upon melodies of improvisation. On the second track, “The Afterwards,” the pair begin with pointillist tone clusters and eventually push the music out of ambiance toward a repeated descending melody. As this melody falls away, the tone clusters return with renewed harmonic purpose — having grown used to the melody, you apprehend more readily the tension between the duo’s flickering chords and the composition’s inherent musical “space.” In a moment, the descending melody reappears, and the players now reinvestigate it through modulations in different keys. This unfolds over 17 minutes (!) — a unity of structure combined with improvisational foresight that typifies the disc.
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CD Reviews
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Erik Satie
,
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,
Devin King
,
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ARTICLES BY DEVIN KING
FATHER MURPHY | ... AND HE TOLD US TO TURN TO THE SUN
| July 29, 2009
Harking back to an America where one's own lonely voice was the only radio and a BBQ meant a spit in the middle of the desert, Torino's Father Murphy hide detuned industrial textures within stripped-down, spacy folk instrumentation, like a man in a black hat picking up a bullet-riddled guitar with which to serenade his captives.
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| May 27, 2009
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| May 12, 2009
If one way that bands tie themselves to the past is through sonic reference — Fleet Foxes calling forth Crosby, Stills and Nash, or Animal Collective channeling the Grateful Dead — then there's been a number of bands who tie themselves to the past through cultural reference.
VARIOUS ARTISTS | OPEN STRINGS: 1920S MIDDLE EASTERN RECORDINGS
| May 06, 2009
Over the past year, Honest Jon's has released three compilations culled from more than 150,000 78s of early music from the EMI Hayes Archive: music from 1930s Baghdad, early West African music recorded in Britain, and a more general compilation that moved across country lines and the first half of the 20th century.
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| April 14, 2009
Hidden under reverb and aggressive analog production, the first sung lyrics on You Can Have What You Want belie what seems to be a cheery record title: "Once we walked in the sunlight three years ago this July."
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