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CD Reviews
Ike & Tina Turner | Sing The Blues
Acrobat (2008)
By
GUSTAVO TURNER
|
October 29, 2008
IKE & TINA TURNER | SING THE BLUES
" alt="photo of 'IKE & TINA TURNER | SING THE BLUES'">
4.0
Stars
Aretha grew up in church, with a doting father guiding her prodigious talent, and ended up longing to be a classical pianist. Tina grew up on the road, with an abusive jerk svengali-ing the shit out of her, and ended up selling Pepsi with David Bowie and counting her millions in Switzerland. But around 1969–1971, when the recordings on this surprising reissue were released by the legendary Blue Thumb label, their paths did not look so divergent. Here’s Tina tackling Stax/Volt standards (along with Eddie Boyd and Chuck Willis tunes and the ancient blues repertory), and it’s amazing what her sweaty-sheets swagger can do to the familiar Memphis sound of the Queen and Otis. In Tina’s hands, “I’ve Been Loving You So Too Long” is an overheated
tour de force
arranged like Side 1 of
Abbey Road
. The band’s take on Jimmy Reed’s “Honest I Do” is some of the best black country music ever recorded — the kind of sound Mick Jagger would have given up a testicle to achieve on
Exile on Main Street
. It is now a commonplace (particularly after his death last year) to give Ike his musical due and try to rescue his artistry from the Larry Fishburne/Tim Meadows buffoonery engraved on most people’s perceptions; but the uncomfortable truth is that Tina did her best work during their troubled partnership. It’s unclear what love — or hate — has got to do with superior music, but chances are you’ll be spinning this long after you’ve forgotten your copy of “Private Dancer.”
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Al Pacino may have The Godfather and Dog Day Afternoon to rest his laurels on, but some of his later endeavors, like this ill-conceived thriller, are best forgotten.
Vocation or vacation?
This past Wednesday, the fifth Coolidge Award, honoring a “film artist whose work advances the spirit of original and challenging filmmaking,” was bestowed on Jeremy Thomas.
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