Darrell Katz and the JCA, Ben Ratliff, Jeff Turton
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I've already reviewed Darrell Katz's exciting new album with the Jazz Composers Alliance Orchestra, The Same Thing (Cadence), but I still have some questions for him. And besides, it's been a few years. When we get together at the Starbucks across from Berklee, I ask about "December 30, 1994," which is about that day's murders at a Brookline women's health clinic, with a text by Paula Tatarunis. In the midst of general mayhem, Rebecca Shrimpton begins to sing a lovely tune: "Who will keep the homefires burning/While out you go/To your deathcamps gunshops/Wars and penitentiaries." It's a fleeting moment, but jarring, memorable.
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"Something about those lines reminded me of a standard," Katz says. (It turned out to be Cole Porter's "You'd Be So Nice To Come Home To.") "So okay, here's this thing about death camps and gun shops and somehow I come up with this pretty little melody. So I said, 'Okay, fine, I'm going to trust my instincts — this is the totally wrong music for this, but therefore it will be good.' I'm hardly the only person who's thought of that."
The JCA has been at it since 1985, a collective of musicians who are primarily composers rather than players, in need of an outlet to hear their pieces. Over the years, they've also played with or commissioned new work from the likes of Marty Ehrlich, Julius Hemphill, Dave Holland, Sam Rivers, and Maria Schneider. Meanwhile, the 18-piece JCA Orchestra has always drawn from the ranks of the best players in town. All of the pieces on The Same Thing are by Katz (that includes his arrangement of Willie Dixon's title tune), but most of the JCA concerts and discs are multi-composer affairs. This Saturday night at Emmanuel Church, the JCAO will play pieces by Katz, Jim Hobbs, Bob Pilkington, Warren Senders, and Norm Zocher.
Katz has been working with text more and more over the years. "It gives me a place to start. A poem gives shape and direction to the process." The starting point for "December 30, 1994" was the last lines: "Words do kill/And kill and kill again." "It was a really angry poem, and when I got to that last line, I just instantly thought I could make this poem a piece of music."
It helps that Tatarunis is Katz's wife, an immediate source of inspiration. She wrote the lyrics for his "improvisational cantata" The Death of Simone Weil, and she provides two more texts on the new CD, the narcissistic flip-off "I'm Me and You're Not Ha Ha" and the George W. Bush flip-off "Lemmings." The other key is Shrimpton, who can move smoothly from spoken-word to sung lyrics to improvised wordless vocals.
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