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Over (and under) the top

By LLOYD SCHWARTZ  |  November 24, 2008

I was especially eager to hear Jeffrey Gall — for 30 years one of America's most celebrated countertenors — in his first Boston appearance as a baritone. The lower of his two arias, the "Quoniam," was firm and vivid; the higher one, with Bach's jazzy, all-but-syncopated setting of "sanctam, catholicam et apostolicam Ecclesiam," was brilliant. Welcome to a major new baritone. Mezzo-soprano Krista River was rather wasted in the second-soprano role, but countertenor Martin Near passed muster in the great alto parts, and soprano Jessica Cooper and American tenor Thomas Cooley, who's been singing in Germany for a decade, were enchanting in the "Domine Deus" duet (with Krueger). Teeters elicited from all the singers, even the chorus, an appealing and unaffected naturalness. "The conductor and performers offer this concert," the program read, "in honor of the life and work of Thomas Dunn," the recently deceased conductor and early-music pioneer who in his two decades as director of the Handel and Haydn Society (1967–1986) shaped, changed, and made more sophisticated the musical life of this city.

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Related: Almost, Caravan, Taking chances, More more >
  Topics: Classical , Entertainment, Music, Benjamin Zander,  More more >
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ARTICLES BY LLOYD SCHWARTZ
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  •   OPEN SPACES  |  December 02, 2009
    In my review of the memorable Brahms performances Sir Simon Rattle led with the Berlin Philharmonic Orchestra for the Celebrity Series of Boston last month, I should have mentioned that one decision responsible for the beauty and spaciousness of the orchestral sound was the placement of the first and second violin sections on opposite sides of the stage.
  •   CREATIONISTS  |  November 18, 2009
    Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
  •   ALMOST  |  November 12, 2009
    The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.
  •   BLESSINGS: MIXED AND OTHERWISE  |  October 28, 2009
    By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
  •   IN THE SWIM  |  October 14, 2009
    My head’s swimming.

 See all articles by: LLOYD SCHWARTZ

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