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Year in Classical: Celebrate!

By LLOYD SCHWARTZ  |  December 22, 2008

Recordings of the year
Christmas stockings could easily overflow with terrific recordings by Boston musicians. Scott Wheeler's opera The Construction of Boston (Naxos) is an enchanting souvenir of a 2007 Boston Cecilia concert, with a fine cast wonderfully conducted by Donald Teeters. On BMOP's own label, Gil Rose leads John Harbison's complete Ulysses ballet, Charles Fussell's Wilde (baritone Sanford Sylvan as Oscar Wilde), and works by Michael Gandolfi, Lukas Foss, Lee Hyla, and Eric Sawyer. Peggy Pearson's Winsor Music has a CD of Mozart's sublime Gran Partita Serenade conducted and narrated (!) by Craig Smith. On Lorraine at Emmanuel (Avie), the astonishing, heartbreaking Lorraine Hunt Lieberson is accompanied by the Emmanuel Orchestra under Craig Smith and John Harbison (with Christopher Krueger's heavenly flute) in two arias from Bach cantatas and all the arias of the jealous, demented Dejanira in Handel's Hercules. Her loss is still so painful, I was afraid to listen; now I don't want to hear anything else.

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ARTICLES BY LLOYD SCHWARTZ
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  •   CREATIONISTS  |  November 18, 2009
    Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
  •   ALMOST  |  November 12, 2009
    The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.
  •   BLESSINGS: MIXED AND OTHERWISE  |  October 28, 2009
    By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
  •   IN THE SWIM  |  October 14, 2009
    My head’s swimming.
  •   THE ROAR OF THE CROWD  |  October 13, 2009
    I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.

 See all articles by: LLOYD SCHWARTZ

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