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Year in Jazz: Playing for keeps

By JON GARELICK  |  December 22, 2008

Kurt Rosenwinkel
Doing as much as Blade to redefine the mainstream is his pal and bandmate in the Fellowship, Kurt Rosenwinkel. There was turnover in personnel in Rosenwinkel's own band between the recording of The Remedy: Live at the Village Vanguard (ArtistShare) and the group's performance at the Regattabar, where Aaron Goldberg, bassist Joe Martin, and drummer Eric Harland were replaced by Aaron Parks, Ben Street, and Obed Calvaire. But here were the same beguiling grooves and melodies, and the invaluable partnership between Rosenwinkel and his long-term collaborator, tenor-sax Mark Turner.

Standard time
Cassandra Wilson with Loverly and Patricia Barber with The Cole Porter Mix (both CDs on Blue Note) showed that standards can still be a means of deep personal expression rather than jazz-school exercises. Wilson seems to have distilled everything she's learned from working in the studio with the likes of Lee Townsend and T Bone Burnett and also producing her own albums, so that her production here gives each piece (from "Lover Come Back to Me" to "Black Orpheus" and "Caravan") its distinctive groove and vocal performance. Barber, meanwhile, made Porter her own by changing some of his lyrics (yikes!) and by writing three originals. Aside from these gifts in 2008, both singers promise Boston-area shows in early '09. Happy New Year!

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[ 12/04 ]   New England Conservatory Opera  @ Cutler Majestic Theatre
[ 12/04 ]   Monogold + Gamblers Union  @ P.A.'s Lounge
ARTICLES BY JON GARELICK
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  •   GETTING THE STORY  |  December 01, 2009
    Full-length written histories of jazz can be a slog. Especially since "the story of jazz" (as critic Marshall Stearns titled his 1956 tome) only gets longer and more complicated. Personally, on these prose-narrative trips along the New Orleans–New York axis of musical development, I usually bog down somewhere outside Chicago.
  •   MISS TESS | DARLING, OH DARLING  |  December 02, 2009
    Boston singer-songwriter Miss Tess has always had the pipes and the taste to carry off her various ventures into country, blues, and multi-hued swing, but Darling, Oh Darling underlines her overall sound.
  •   ERIK DEUTSCH | HUSH MONEY  |  November 25, 2009
    Having played in projects from jam bands to jazz and as a singer-songwriter accompanist, keyboardist Erik Deutsch led an acoustic jazz album for his debut.
  •   MIXED MEDIA  |  November 18, 2009
    Film noir has been a running theme in composer/pianist Ran Blake's work since the beginning of his career — his very first album, The Newest Sound Around (RCA, 1962), with singer Jeanne Lee, began with David Raskin's theme to Otto Preminger's Laura .
  •   LIVE AND ON RECORD  |  November 04, 2009
    To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.

 See all articles by: JON GARELICK

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