The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

Puttin’ on the Brits

Logan 5 and the Runners go beyond homage
By MATT PARISH  |  January 13, 2009

090109_cellarss_main
CONFIDENCE MAN: “I know what I’m going to say,” says Dave Berndt. “So when it’s time to say it, I better say it like I fucking mean it.”

Logan 5 and the Runners, "Girls of the Internet" (mp3)

Logan 5 and the Runners, "TV" (mp3)

Logan 5 and the Runners, "Subtitles" (mp3)

There’s a song on Logan 5 and the Runners’ first album, Featurette, where Dave Berndt sings, “I wish I could see you at night/Naked through your window.” It’s a quick, dirty come-on that gets more sinister and weird the more you hear it — especially since you can’t tell whether the sentiment is coming from a smooth operator hitting the club scene with an unbuttoned shirt and a chest full of hair or a horny teenager with a fledgling moustache in an anonymous chat room.

The Runners, who are self-releasing Featurette this Saturday at Great Scott, are a two-year-old band from Boston with their feet planted firmly in this city’s long-established Anglophile scene. On record, Berndt has this throaty Jarvis Cocker thing where he ends every other line with “Yeeeeah . . . ,” as if he were cranking out Soloflex reps inside a reverb chamber. It’s an intimidating thing to imagine walking in on.

When I sit down with three members of the band at Bukowski’s Tavern on Dalton Street, it’s a bit like meeting the men behind the curtain, the guys sitting back at the controls while their avatars do the posturing on stage. Everyone picks at a plate of steamy ranch fries. Guitarist Nick Balkin has just stepped in from his nearby desk job at Berklee; drummer Mark Beaulieu is carrying a brand-new hard drive he’s just received in the mail. (The line-up is rounded out by keyboardist/trumpeter Chris Barrett and bassist Mike DeLisle.)

“You can’t just get up there and be the same guy that was at the office all day,” says Berndt. “You’ve got to free yourself up to say things you normally wouldn’t say and do it like you mean it. You could say the same thing into a microphone with no band behind you and it would be a little different.”

Berndt’s alter ego came about when friends noticed his more-than-passing resemblance to Michael York, the thickly maned star of the 1976 sci-fi flick Logan's Run. York’s Logan is a straight-ahead guy who tells Jenny Agutter’s Jessica, “You’re beautiful. Let’s have sex.” Brendt’s Logan seems more like the guy who’d spend the night staring at a girl across the room, pondering how much like a lit, bitter cigarette his inevitably hopeless fling will be.

Still, borrowing the name is a start. Featurette is a gallery of cocky adolescent spite, defiant mood swings, and persuading girls to do things their parents don’t know about. Which would make it weird if it were, like, the guy from your office singing it.

“I’d love to say it was all off the cuff, but I don’t know,” allows Berndt. “If you have a sort of character to start off with, it helps. You have the songs written — I know what I’m going to say, so when it’s time to say it, I better say it like I fucking mean it.”

1  |  2  |   next >
Related: Death by handgun, Courthouse marriage, Marrying into history, More more >
  Topics: Music Features , Pete Wentz, Swearing and Invective, Vermont,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

[ 11/26 ]   Cartells  @ Wolf Den @ Mohegan Sun
[ 11/26 ]   "Thanksgiving Night of Super Stars"  @ Roxy
[ 11/26 ]   Orch Septentrional  @ Moseley's on the Charles
[ 11/26 ]   "Mash-Ups & Top 40"  @ Wonder Bar
[ 11/26 ]   "Signature Thursdays"  @ Rumor
ARTICLES BY MATT PARISH
Share this entry with Delicious
  •   SWEET SORROW  |  November 11, 2009
    Everybody loves a tidy ending. Episodes of Seinfeld , fireworks finales, a sturdy hem at the base of a pant leg — these things give us faith that the designer knew what he was doing.
  •   THE EVIL DEAF  |  November 05, 2009
    Inside the dusty corner room of a dungeon-like warehouse basement, Karl Giesing dumps out a bag full of pedals, samplers, grimy cables, and homemade synth boxes. Their functionality seems questionable.
  •   DREAR LEADERS  |  October 27, 2009
    On the Black Heart Procession’s first visit to Boston, back in ’98, the duo hunched on chairs at the Middle East downstairs surrounded by equipment — keyboards, guitars, a musical saw, an array of percussion.
  •   RHYTHM QUEENS  |  October 21, 2009
    It’s a chilly Monday afternoon, and at the head of the lawn in front of the Christian Science Center, Zili Misik are starting soundcheck, bear-hugging their instruments to keep them warm.
  •   AN UNSTOPPABLE FORCE  |  October 15, 2009
    Appreciation of Converge is one of those things that comes after you stop trying too hard, like driving stick without stalling at the red lights.

 See all articles by: MATT PARISH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group