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Slideshow: Soundtrack of Our Lives

Soundtrack of Our Lives, live at the Paradise, March 9, 2009

By CHRISTOPHER HUANG | March 12, 2009

Soundtrack of Our Lives, live at the Paradise, March 9, 2009
Photos by Christopher Huang
Read Daniel Brockman's review

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1 of 14 (results 14)

Co-operators
It’s 4 pm in Berlin, and there’s still so much shit to do before tonight’s Moderat album release party at WMF — a transient dance club that recently reopened in an old furniture factory in the center of the old city.
Slideshow: Grupo Fantasma live
Grupo Fantasma live at the Middle East
French tickler
"The French language is perfect for talking about sex," muses hirsute Parisian singer and electronic-musician Sébastien Tellier.
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Co-operators
It’s 4 pm in Berlin, and there’s still so much shit to do before tonight’s Moderat album release party at WMF — a transient dance club that recently reopened in an old furniture factory in the center of the old city.
Slideshow: Grupo Fantasma live
Grupo Fantasma live at the Middle East
French tickler
"The French language is perfect for talking about sex," muses hirsute Parisian singer and electronic-musician Sébastien Tellier.
Swede relief
“It’s great to be back here,” intoned lead Soundtracker Ebbot Lundberg, looking not completely unlike Brendan Gleeson unconvincingly playing St. Francis Of Assisi.
Passion Pit | Manners
Long have we at the Phoenix trailed the spark as it crackled down the winding wick toward the ostensible powder keg of this, Passion Pit's first full-length release. And why not?
Human touch
“Get me something to stop the bleeding!” were the first words to come spilling out of David Yow’s mouth as his recently reunited Jesus Lizard tore into the first song of their triumphant set last Saturday night at the Paradise.
Blue hills, rosey cheeks
This happened on a tiny ski slope in the Blue Hills.
Review: Planet 51
The opening for the latest animated kids’ fantasy is promising — but it’s for another movie.
Dodging death
Even the sweetest life can shatter in an instant, sending you through the looking glass like Alice. For the euphoric heroine of Craig Lucas's 1988 fable of holiday festivity and arbitrary mayhem, Reckless the moment of reckoning comes when her husband tearfully confesses, on Christmas Eve, that he has taken out a contract on her life.
Interview: Gabourey Sidibe
"While reading the book, I realized that I knew this girl in so many different people. Not just girls but boys, and not just black people but white and Asian and Indian."
The end that could have been
For a few wonderful days, it seemed that Aerosmith were finally kaput.
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