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Center of gravity

By LLOYD SCHWARTZ  |  April 14, 2009

The playing and choral singing were again on an exalted level, and there was a new generation of Emmanuel singers in the major roles. Tenor Charles Blandy was a tireless Evangelist-as-star-reporter — nothing escaped his watchful eye — and baritone Donald Wilkinson was a heroic, resonant, unflappable Jesus. Notable contributions among the newcomer soloists came from tenor Jason McStoots, alto Miranda Loud, and basses Aaron Engebreth and Nikolas Nackley. A new voice (for me) also stood out in the great Emmanuel Orchestra, the gravely nimble gambist Emily Walhout. And the Boston Children's Chorus in the balcony was (what else?) heavenly. But every member of this amazing team deserves his or her own special accolade. Bach is their blood, in their breath. Not one contribution to the living whole was expendable.

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Comments
Center of gravity: Shi Yeon Sung
I was lucky to see Shi Yeon Sung twice in a concert in Germany.And I absolutely agree with the enthusiasm of the author of this article.  Shi Yeon Sung truly personifies the music, like a perfect dancer.  I have never seen and heard like this before.  She knows the secret how to vitalise the music, and how to make the musicians and the audience love the music.  In that way, she even surpasses most of today's great conductors.
I wish I could have attended that concert in Boston. I strongly believe, it is a great chance for the BSO to have found Shi Yeon Sung as an assistent conductor.  The choice could not have been better. 
By Rudolf on 04/26/2009 at 2:58:23

[ 12/01 ]   Boston Metro Opera  @ Old South Church
[ 12/01 ]   Lady Gaga + Kid Cudi + Semi Precious Weapons  @ Wang Theatre
[ 12/01 ]   Fenway Jazz Jam  @ Tiki Hideaway @ Howard Johnson
[ 12/01 ]   Davisson Brothers Band  @ Wolf Den @ Mohegan Sun
[ 12/01 ]   Air Force Band of Liberty  @ Lowell Memorial Auditorium
ARTICLES BY LLOYD SCHWARTZ
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  •   CREATIONISTS  |  November 18, 2009
    Simon Rattle and the BPO, Fabio Luisi and the BSO, John Harbison and Emmanuel Music
  •   ALMOST  |  November 12, 2009
    The Boston Lyric Opera comes maddeningly close to having a good Carmen . (The production continues at the Shubert Theatre through November 17.) Keith Lockhart leads a superb orchestra and chorus and a cast of plausible singers/actors in a compelling if not spine-tingling performance.
  •   BLESSINGS: MIXED AND OTHERWISE  |  October 28, 2009
    By odd coincidence, in recent weeks we’ve had performances of two important operatic rarities, landmark early works a century apart: 30-year-old Handel’s Amadigi (1715) and 20-year-old Rossini’s Tancredi (1813, his 10th opera!).
  •   IN THE SWIM  |  October 14, 2009
    My head’s swimming.
  •   THE ROAR OF THE CROWD  |  October 13, 2009
    I wasn’t there, but the opening-night dissatisfaction with the Met’s new Tosca was widely reported.

 See all articles by: LLOYD SCHWARTZ

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