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Battles | Gloss Drop
CD Reviews
The Horrors | Primary Colours
XL (2009)
By
DANIEL BROCKMAN
|
May 6, 2009
The Horrors | Primary Colours
" alt="photo of 'The Horrors | Primary Colours'">
3.5
Stars
The new Horrors long-player is a throwback of some kind, but to what? Perhaps to a post-punk '80s that is alien to us John Hughes–weaned Yanks, where ersatz angst set to an Anglophile soundtrack is replaced by
actual
drudgery and nausea.
The Horrors, on their sophomore outing, consolidate their veddy British sense of cool around the notion of steady beats, icy synths, and limpid splattering glops of melting guitar. Vocalist Faris Badwan does at times wear out his welcome in a tuneless fashion redolent of the doldrums one would typically encounter deep into side two of a Psychedelic Furs LP. But who cares?
When this band hit it, they hit it hard, with lysergic drones that are peculiarly nihilistic and open-ended. The Horrors excel at evoking the mood of that moment when you're so high that you realize this whole thing is real and dangerous and that something horrible could happen — like the dripping dream chorus of "Scarlet Fields," with shape-shifting guitars sounding like something whizzing by you on a late-night highway.
Epic album closer "Sea Within a Sea" is the soundtrack to a wild party gone wrong, its motorik steadiness, spaghetti-western aridity, and squalling guitar stalling on a lock-grooved arpeggio before collapsing into off-the-rails lunacy. It's a fitting dénouement to a stunning paean to sadness and decay.
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The Horrors | Skying
Skying is an epic swash of shoegaze, Britpop, and succulent reverb rock.
The Horrors change more than their hair
Near the end of my conversation with Rhys Webb, bassist for Southend-on-Sea quintet the Horrors, I begin to sense the exasperation in his voice.
Bjork | Biophilia
What the hell is Biophilia ?
The Good Natured | Skeleton
The seven-song Skeleton EP is a combination of two previous import EPs, sounding already like an immediate best-of, compiling six Good Natured studio tracks and a (throwaway) remix.
Misfits | The Devil's Rain
The reason there hasn't been a new Misfits record of all original material in a dozen years is because without Glenn Danzig, it's just not the Misfits.
Balam Acab | Wander/Wonder
"Witch house" isn't the best tag for an act to get saddled with straight out of the gate, and when Balam Acab's first EP, See Birds, dropped about a year ago, that term had less of its current flash-in-the-pan feel.
Wilco | The Whole Love
Wilco's evolution from Uncle Tupelo detritus to post-Americana thinking-man's jam band goes two steps back on their eighth studio album, and that's a good thing.
Dum Dum Girls | Only In Dreams
Kristin Gundred, a/k/a Dee Dee, is no actual dum dum, so she made good where Vivian Girls didn't.
Sleep ∞ Over | Forever
Of all the underground scenes causing a stir in the online music community, the sleepy lo-fi that's been coming out of Austin might be the least effervescent.
High Places | Original Colors
High Places have changed their sound a great deal since their cool ride together began five years ago with a fresh breeze of homespun sounds, household percussion, and trickling vocals.
Boom Bip | Zig Zaj
Cincinnati-via-Los Angeles producer/DJ Bryan Hollon, a/k/a Boom Bip, hit throwback gold in 2008 as one half of Neon Neon, an '80s pop concept project with Super Furry Animal Gruff Rhys.
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ARTICLES BY DANIEL BROCKMAN
RAZORMAZE ADDS FOCUS TO THEIR THRASH
| May 15, 2012
For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
ZAMBRI | HOUSE OF BAASA
| May 15, 2012
For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE
| May 08, 2012
When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
[R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS
| May 08, 2012
ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.
INTERVIEW: SIMON REYNOLDS TRIES TO LOOK FORWARD
| April 24, 2012
Quick, try to think of futuristic music that has nothing to do with the music of the past. Can't do it?
See all articles by:
DANIEL BROCKMAN
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