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Reggae revival

By CHRIS FARAONE  |  May 21, 2009

In 1981, before Simon stepped away, he and Davis shared an historic moment with legendary Wailer Peter Tosh at the Holiday Inn on Memorial Drive in Cambridge, where Simon snapped a picture of the counterculture hero roasting a spliff on his unicycle in the hallway. That night, Simon and Davis were partying with Doug Herzog, an Emerson College junior who was interviewing Tosh for Strictly Rockers (now simply known as Rockers), which Herzog introduced on WERS as a sophomore in 1979. It remains the longest continually running college-radio reggae show.

Herzog, who three decades later is the president of MTV Networks Entertainment Group, was a New Jersey–raised reggae junkie with a self-described "Jew 'fro" who wasn't afraid to venture into Mattapan to buy eclectic LPs. Despite becoming one of the most powerful visionaries in modern television — and having been responsible for cultivating such programs as The Real World and The Daily Show — Herzog has not forgotten his roots.

"I've been waiting 30 years for this interview," says Herzog. "I started at [WERS] at a show called Listen Here, on which we'd read articles out of the Globe for the blind. Then, when I got to do what I wanted, I got a reggae show on Sunday afternoons, then on Saturday nights, then [with its current five-day format in 1980]. Of all the things I've done, Rockers is what I'm most proud of. All of these shows on MTV and Comedy Central have a lot of fathers — this one was all mine."

There are far too many important college deejays to name here, as, thanks to graduations, Rockers rotates hosts every four years, aging out several loved student selectors like Rudeboy Lincoln, Joshua B, and G-Smith. Other college-radio shows within 100 miles have featured non- student deejays, including Magnus Johnstone — who was also the first jockey to spin a dedicated rap show in Boston — at WMBR (MIT); Robin, who now handles the 20-years-and-still-kicking Ragamuffin International on WZBC (Boston College); Generoso Fierro at the Bovine Ska and Rocksteady on WMBR; and Glendale Reid, who selects the throwback spread at WRBB (Northeastern). (All but Johnstone's are still on air in Boston.) Perhaps most renowned — at least in overall retrospect — has been Junior Rodigan, who has had sets on WTBU (Boston University) and half a dozen other frequencies, leading up to his current drive-time show on the pirate Big City 101.3.

Originally a producer and vocalist, the Iranian-born, London-raised Rodigan has been the city's chief reggae tastemaker since the late 1980s. Aside from radio, he also owned the Vibes Records retail store in Dorchester from 1993 to 2006, and an independent imprint, Mastermind Records, which, in 1995, dropped "Walk Like a Gangsta" by Ruffa (who went on to be the only Caribbean artist from Boston to sign a major-label deal). Rodigan has seen the reggae landscape shift, beloved venues fold, and expected sellouts inexplicably flop. During droughts — when clubs and record stores go out of business — he says it's been the responsibility of deejays to keep a perpetual lifeline between Boston and the pulse of reggae.

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Related: Timeline: Reggae in Boston, Grave diggin’, Portland Phoenix Best Music Poll local winners 2000-2007, More more >
  Topics: Music Features , Entertainment, Music, The Beatles,  More more >
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Comments
Re: Reggae revival
"Live & Dangerous" was recorded at Sanders Theater in Cambridge. Anyone who has heard even one track from that album would realize it wasn't recorded in a club. http://www.discogs.com/Peter-Tosh-Live-Dangerous-1976-Boston-1976/release/1694506
By Mr. Brown on 05/21/2009 at 7:35:29
Re: Reggae revival
In addition to many errors and omissions in this slapped together piece by the lowly C. Farone, I have to laugh at the focus on the Western Front. The Front has not been relevant to the scene for 20 years. Farone should stick to hip hop, and try not to strain a muscle posing so hard.  
By Highest Grade on 05/22/2009 at 6:32:31
Re: Reggae revival
Mr. Brown - Thanks for the correction. Noted. Glad you enjoyed the rest of the article. Highest Grade - Make no mistake. Since I am a hip-hop reporter, I was extremely hesitant to get into this article. But I was encouraged by the more than 25 people I spoke with to pursue the project. As someone who deplores when those not-in-the-know write about my music, I thought I treaded lightly. You call it posing - I call it trying my best to understand something new. I know that "Reggae Revival" doesn't compare to all of the articles you've published to expose the reggae scene to larger audiences, but I tried my best. 
By Chris Faraone on 05/22/2009 at 10:52:51
Re: Reggae revival
 I am not from Boston so this article was very informative for me. That being said I am a White reggae musician and I find it funny that only white people get uptight about other white people playing or even writing about reggae music. I have had plenty of white folks downpress me for playing reggae but only positive vibrations from African-Americans or Carribien natives. I find this very odd. I am from New Orleans, there is a termendous history of white people playing Jazz here and no one calls them a Wigger but the minute you play reggae the hate from fellow white people just comes out and all of the sudden you don't even have the right to have an opnion and you are not dark enough to write an article aobut it. I don't have dreads and I aint no Rast but like the man said "him that feels it knows it."Reggae is on the rise and natty is taking over Seen?Great Article by the way and thanks for filing me in. I have plenty of Reggae friends in the Boston Area. I would love to see a show there one day or play at one. ITES from the NOLA
http://www.neworleansreggae.com
By resista on 05/22/2009 at 12:38:33
Re: Reggae revival
>As someone who deplores when those not-in-the-know write about my >musicYou ARE somebody not in the know when you write about hip hop too. The posing I refer to includes your hip hop posing, boom bap yo yo yo dawg!! I think you need to incorporate more blunt references into your writing...
Your writing on all topics is the equivalent of the local cable access rap  show Heir To The Streets, a joke thing. Other than a few more heads in the Western Front this week, I wouldnt oversell the effects of your little piece.   
By Highest Grade on 05/27/2009 at 8:01:17
Re: Reggae revival
Highest Grade you should have quit after your first douchebag post.  I have a piece of advice you probably will find handy.  "It is better to keep your mouth shut and be thought a moron, than to open it and remove all doubt."  Think about it, take an advil, think about it some more.  Eventually it'll make sense for you.  Whether or not this guy's article was good or not, he admitted to crossing into a field he was unfamiliar with because he was asked.  I don't remember anyone asking you to write anything.  Maybe the lowly Highest Grade should stick to what he does best--eating mayonaise sandwiches--instead of trolling people with an actual job with his uneducated, illiterate ramblings of nerd rage.   Reggae blows anyway.
By jadyjay22 on 06/16/2009 at 7:48:15

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