The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

Up in the County

Hamilton's Brokedown Breakdown
By SAM PFEIFLE  |  June 3, 2009

hamilton main
A MODERN STRINGBAND Hamilton County. 
Photo by Kate Driver
 

Is it bluegrass if it doesn't have a banjo? Or a fiddle, for that matter? Hamilton County, a three-piece acoustic outfit who debut their first CD, Brokedown Breakdown, next week, sure do a good impersonation of a bluegrass band, even if purists might dismiss it on technicalities.

Often in the vein of Jerry Garcia and David Grisman's Shady Grove or a Nickel Creek album, heavy on the improvisation and playful with chord progressions and rhythms, but with a fairly stripped-down instrumentation, Hamilton County do especially well by playing all originals — 10 pickers and one singer (okay, there's half of a traditional fiddle song tacked on) — and adding nicely to what is a canon-dominated genre. The disc has a gritty, live feel, too (thanks to recording engineer Evan Casas), that lends an old-timeyness that never hurts a bluegrass record and isn't bad when they transition into Django-type jazz from time to time.

There's a worldliness here you won't find on a Del McCoury Band album, possibly lent by Adam Montminy (Grupo Esperanza) on bass, but likely where modern stringband music is going nowadays, thanks to influences like J.D. Crowe, Bela Fleck, and Chris Thile. "Suha" has a gypsy/Eastern European vibe running through it, where Bob Hamilton does some of his best guitar work, working in weird scales (for a bluegrass record) and weird rhythms.

"Orpheus Walk" has a sultry Evan Chase mandolin riff in the open that the guitar manages to mimic to a T before handing the lead back. Then, just when you've resigned yourself to the pace, at 1:30 or so they ramp into a double-time take that doesn't just do the same thing twice as fast, but actually moves the song forward like a big, extended chorus, before relenting to the opening pace and finishing in a jazzy bass. "Space Bar" plays with a repeating three-note bit in just about every way possible.

This is a very listenable disc, lyrical and thoughtful. And Hamilton used to be the band's banjo player, so they have another entirely different album in them, I'm betting. Maybe there we'll hear a take on the "Borrowed Banjo Breakdown" that actually includes a banjo. Or at a show.

Sam Pfeifle can be reached at sam_pfeifle@yahoo.com.

BROKEDOWN BREAKDOWN, released by Hamilton County | at the Empire, in Portland | June 13 | www.myspace.com/thehamiltoncounty

Related: Joe the rapper, Review: Akon | Freedom, Winter to remember, More more >
  Topics: CD Reviews , Entertainment, Music, Bluegrass,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

[ 11/23 ]   Rebecca Cline Ensemble  @ Recital Hall 1W
[ 11/23 ]   Sunshine Riot  @ O’Brien’s
[ 11/23 ]   "Night of the Living Dead Head"  @ Zuzu
[ 11/23 ]   Open Jam Night  @ Dodge Street Bar & Grill
[ 11/23 ]   Tufts Flute Ensemble  @ Tufts University Granoff Music Center
ARTICLES BY SAM PFEIFLE
Share this entry with Delicious
  •   WE HAVE LIFTOFF (AGAIN)  |  November 18, 2009
    If there is a constant that runs through Walt Craven's vocal and lyrical work from 6gig through Lost on Liftoff, it is his role as the impassioned voice of the underdog.
  •   REAR-VIEW MIRROR  |  November 11, 2009
    After a few days of Indian Summer to remind us of the summer we nearly didn't have, it's timely to shed some warm light on albums released recently that didn't get their proper due.
  •   DAYS OF THE NEW  |  November 05, 2009
    When drummer Tony McNaboe delivered the burned copy of Rustic Overtones’ new full-length album, he tucked it inside the packaging of the re-released and re-mastered Long Division.
  •   TOMORROW NEVER DIES  |  October 28, 2009
    For a Halloween party with substantially less gore, check out the newest release from Dave Rowe (and sometimes his Trio), The Music Never Dies .
  •   HAUNTED SHIPYARD  |  October 28, 2009
    Guitar World recently gave credit to KISS for turning “party” into a verb.

 See all articles by: SAM PFEIFLE

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group