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Photos: Black Moth Super Rainbow at ICA

Black Moth Super Rainbow, live at the ICA on August 28, 2009

By JÉRÔME ENO | September 1, 2009

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Photo: Jérôme Eno

Black Moth Super Rainbow | ICA | August 28, 2009

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Slideshow: Chunky Move at ICA
The Australian troupe Chunky Move performed its 2004 work I Want to Dance Better at Parties at Boston’s Institute of Contemporary Art from March 27 to 29.
A cut above
From out of blearily luminous pools of spiraling orange fractals, the disembodied head of a stately-looking man emerged, coaxing us to attention with little more than his calming gaze and an invitation to “a new beginning.”
Photos: Shepard Fairey, Z-Trip, Chuck D at the ICA
Shepard Fairey spins at Obey Experiment REDUX at the Institute of Contemporary Art in Boston
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Slideshow: Chunky Move at ICA
The Australian troupe Chunky Move performed its 2004 work I Want to Dance Better at Parties at Boston’s Institute of Contemporary Art from March 27 to 29.
A cut above
From out of blearily luminous pools of spiraling orange fractals, the disembodied head of a stately-looking man emerged, coaxing us to attention with little more than his calming gaze and an invitation to “a new beginning.”
Photos: Shepard Fairey, Z-Trip, Chuck D at the ICA
Shepard Fairey spins at Obey Experiment REDUX at the Institute of Contemporary Art in Boston
States of the art
In New England, where you can't swing a sack of cranberries without hitting a venerable cultural institution, anyone with access to a car (or even a subway pass) can scope out these topnotch art museums.
Narrative truth
For the majority of us Americans, Iraq and Afghanistan are a series of news-data points — number of Americans killed today, number of car bombs, spending tallies, estimates of civilian deaths.
Topographic musings
"Aggregate" is Maine College of Art's second themed Alumni Biennial at the Institute of Contemporary Art, showing work chosen by a jury from among recent work by BFA and MFA graduates. While the artists represent a range of mediums, graduating class ('97 to '08), and experience, the integrity of the selected works is consistently impressive.
Photo: Damian Ortega at ICA
Photos of Damian Ortega's Do It Yourself show at the ICA
Summer people
Ever wonder why there is so much professional-level art made and shown in Maine, a state with a total population less than that of many minor cities? One answer is that following the fame of people like Winslow Homer, creative types flocked to Maine, often to artists' colonies.
Review: Shepard Fairey + Z-Trip + Chuck D
So Shepard Fairey actually made it this time. No insane, last-minute sting operations by Boston cops lurking just off the ICA’s property line. But also: no grand dramatics, either. (Like, he totally could have parachuted through a shattered skylight. In slow motion.) Fairey just showed up and did his thing.
Photos: Prefuse 73 at ICA
Photos of Prefuse 73 playing at the Institute of Contemporary Art
Video vérité
Javier Téllez's 2007 black-and-white film "Letter on the Blind, For the Use of Those Who See" starts with a catchy premise: he gathered six blind New Yorkers at an empty public pool in Brooklyn to act out the fable of the blind men and the elephant.
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