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CD Reviews
Travis Tritt
The Storm | Category 5
Georgia-born Tritt has always been a country musician with a rock-and-roll soul, but this time he’s put the accent on “soul” as a genre.
By:
TED DROZDOWSKI
| September 05, 2007
Donovan Frankenreiter
Recycled Recipes | Lost Highway
Lost HighwaySurfer-turned-musician Donovan Frankenreiter has a sandy beard, a warm old soul voice, and a sonic signature planted firmly in the 1970s.
By:
WERNER TRIESCHMANN
| September 05, 2007
Interpol
Our Love to Admire | Capitol
On their third album, NYC mood merchants Interpol don’t quite rest on the laurels of their 2004 major-label debut, Antics .
By:
MIRIAM LAMEY
| September 05, 2007
Blaqk audio
Cexcells | Interscope
Blaqk Audio is Davey Havok and Jade Puget of AFI doing an ’80s-inspired synths-and-beats version of the emo-inflected goth-rock.
By:
MIKAEL WOOD
| September 05, 2007
Bill Callahan
Woke on a Whaleheart | Drag City
When Lou Reed left the lo-fi proto-punk of the Velvet Underground behind for the polished, poetic pop of his solo albums, devotees were devastated.
By:
MATT ASHARE
| September 05, 2007
Superbad: Original Motion Picture Soundtrack
Lakeshore
Teen movies have long used the funkiest black music to throw into relief the shenanigans of the nerdiest white guys.
By:
CHARLES TAYLOR
| September 05, 2007
Johnny Thunders
Who's Been Talkin? In Concert | MVD
He knew what he was singing: shortly after this concert, Thunders passed into history, leaving a tattered legacy and a messy stain.
By:
JIM SULLIVAN
| August 29, 2007
Cedric Burnside + Lightnin’ Malcolm
Juke Joint Duo | Soul Is Cheap
After a flirtation with hip-hop, R.L. Burnside’s drummer and grandson Cedric has returned to exciting, raw-boned blues.
By:
TED DROZDOWSKI
| August 29, 2007
Aesop Rock
None Shall Pass | Definitive Jux
Sometimes I don’t have one goddamn clue what misanthropic underground hip-hop king Aesop Rock is talking about.
By:
RICHARD BECK
| August 28, 2007
Mark Olson
The Salvation Blues | HackTone
The album shimmers with the sort of musical detail that keeps woe-is-me songwriting from sounding (entirely) like a pity party.
By:
MIKAEL WOOD
| August 28, 2007
Merle Haggard
The Bluegrass Sessions | McCoury Music | Working Man’s Journey | Cracker Barrel
Merle Haggard has always been a keen observer of American thought and spirit.
By:
JEFF TAMARKIN
| August 28, 2007
Editors: An End Has a Start
Epic
Like Ian McCulloch in the early ’80s, Editors singer Tom Smith sounds old before his time, preoccupied as he is with our precarious mortal coil.
By:
MATT ASHARE
| August 28, 2007
The Bongos
Drums along the Hudson | Cooking Vinyl
Twenty-five years after its initial release, this cornerstone of American ’80s post-punk/new-wave sounds both innovative and quaint.
By:
TED DROZDOWSKI
| August 20, 2007
Bad Religion
New Maps of Hell | Epitaph
But if determination = quality, then Bad Religion are one of the best punk bands in the world.
By:
BRETT SINGER
| August 20, 2007
T.I. vs. T.I.P.
T.I. | Atlantic
In 1886, it was The Strange Case of Dr. Jekyll and Mr. Hyde : dark versus light, yin versus yang.
By:
DOMINIQUE HENDELMAN
| August 20, 2007
Talib Kweli
Ear Drum | Warner Bros.
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
By:
MATTHEW GASTEIER
| August 20, 2007
Justice
† | Vice
Vice like the magazine or Vice like Miami?
By:
ANDREW GRAHAM
| August 20, 2007
VHS or Beta
Bring On the Comets | Astralwerks
The wordless, minute-long opener “Euglama,” though — that’s worth digging.
By:
MIKAEL WOOD
| August 20, 2007
Laurie Anderson
Big Science | Nonesuch
One of the most important albums of the ’80s has been re-released with two appealing extras.
By:
TED DROZDOWSKI
| August 14, 2007
Sultan
Montreal | Yashitoshi
The first track of this CD establishes a taste in dance music that’s recognizably, authentically Montreal.
By:
MICHAEL FREEDBERG
| August 14, 2007
Kevin Drumm and Daniel Menche
Gauntlet | Editions Mego
At just over 28 minutes, Gauntlet might not seem all that imposing.
By:
SUSANNA BOLLE
| August 15, 2007
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