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For the birds

By IAN SANDS  |  April 23, 2008

Sam Kronick, an MIT undergraduate I bothered as he took a saw to wood, said he, too, found the work to be soothing. Kronick, part of a group called Cracked (a “rogue artist troupe trying to make art in a technical school”), said he’d been drawn to the event by Haeg’s expansive approach to art.

I later looked up to find that Haeg had already left, though most of the attendees stayed behind to stain the outer surfaces of their boxes. On ours, my friend drew two small birds; it was really quite lovely. Generally speaking, though, our bird house looked more like a shanty. The door to it didn’t swing open as I imagined it should, and, as my friend pointed out, the other houses didn’t seem to make noises when doing so. We have yet to hang it around the school’s campus as the others most certainly have, for fear of making life worse than it already is for some poor, homeless bird.

A short while after the event, Haeg’s greatest gift became apparent to me. He brings people together to do things they might not otherwise do by themselves. The impulse may very well be there, but many of us need the promise of something more to push us to action. With the Animal Estates project, Haeg offered the chance to be part of something bigger than ourselves.

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Related: Worldly travelers, Some Spaniards in the works, Readers' pick: Piece of public art, More more >
  Topics: This Just In , Media, Mammals, Nature and the Environment,  More more >
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