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Latest Articles
The devil in the details
‘Drawn to Detail’ and ‘Laylah Ali’ at the DeCordova, Esteban Pastorino Díaz at the SMFA, and Student Loan Art Program at MIT
It’s hard to imagine stopping to look at drawings that don’t coalesce till you let them pull you in and spin you around a bit.
By
RANDI HOPKINS
| August 28, 2008
Shuffle mode
Shake-ups on the gallery scene
The news of the Allston Skirt Gallery closing turned out to be the first sign of a major gallery shake-up involving a number of Boston’s most prestigious venues.
By
GREG COOK
| April 01, 2008
Ill wind
Apocalyptic dread in the galleries
In the muddy rusty autumnal scrub, a fox, who could have been imagined by Richard Scarry, sits on a log and a smiling rabbit lies in brambles.
By
GREG COOK
| January 14, 2008
Mortification of the flesh
'Global Feminisms' turns sexism inward
“Global Feminisms” at Wellesley College’s Davis Museum could be one of the most important exhibits of the year.
By
GREG COOK
| September 26, 2007
Bodies and souls
A year in art
Preserved flayed corpses at the Museum of Science, Americans in Paris at the Museum of Fine Arts, underground art at the Rhode Island School of Design Museum, beavers at Mass College of Art — it was that kind of year, capped off by the arrival of the new Institute of Contemporary Art.
By
JEFFREY GANTZ
| December 19, 2006
A galaxy far, far away
Is the Empire defining the current avant-garde?
Recently I found myself aboard the Air Chair, a padded seat atop what looks like a riding lawnmower, at the Museum of Science’s “Star Wars: Where Science Meets Imagination” exhibit.
By
GREG COOK
| March 27, 2006
Painting the end of the world
But for Dana Schutz, that’s only the beginning
Back in 2001, the artist Dana Schutz had the deliciously harebrained idea to paint “The Last Man on Earth.” She named him Frank.
By
GREG COOK
| February 02, 2006
Painting the end of the world - side
By
| February 01, 2006
Cannibals and castaways
Dana Schutz and Oliver Herring at the Rose, ‘Modern Masters’ at the MFA
Dana Schutz flirts with the ugly, considers our condition, pictures the unimaginable, and uncovers what some might prefer left under a rock.
By
RANDI HOPKINS
| January 14, 2006
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