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Review: Gentlemen Broncos

Jared Hess's latest geek fantasy
Having peaked with his debut, Napoleon Dynamite , Jared Hess has settled into being a family-friendly John Waters — which is redundant, since Waters is already rated PG-13.
By PETER KEOUGH  |  November 04, 2009
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Review: Michael Jackson's This Is It

Is this it?
The Star Wars –style titles that begin Kenny Ortega’s hastily assembled Michael Jackson tribute documentary explain that the film has been whittled down from 100 hours of behind-the-scenes video shot between last April and June during rehearsals for the King of Pop’s planned 50-date “This Is It” London concert series.
By BRETT MICHEL  |  November 04, 2009
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Review: The Fourth Kind

Creepy, but clumsy
If the “actual footage” used in this film is real, then there’s something going on up in Alaska even more frightening than the rise of Sarah Palin.
By DAVID WILDMAN  |  November 04, 2009

Play by play: October 30, 2009

Plays around town
Boston's weekly theater schedule
By JEFFREY GANTZ  |  October 28, 2009
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Interview: Lars von Trier of Antichrist

The director on the redeeming qualities of Antichrist
Maybe it’s the blurring effect of the Skype technology through which I’m interviewing him as he sits worried and Buddha-like in his headquarters in Denmark (he has a phobia about airplanes, among other things), but Lars von Trier seems like an okay guy.
By PETER KEOUGH  |  November 02, 2009
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Hardboiled hub

The city’s gritty, criminal underbelly has redefined the dark, artistic vision known as Boston noir
When I was growing up in Roslindale a few decades back — among tribes of ignorant, second-generation immigrant kids whose favorite words began with “f” and “n” and who liked to torture small animals and beat up small children before they moved on to their future vocations as petty criminals, dead dope users, or real-estate agents.
By PETER KEOUGH  |  October 21, 2009
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Review: Good Hair

Chris Rock will make your head itch to know more
According to Chris Rock, this documentary directed by Jeff Stilson was born when his young daughter asked him: “Daddy, how come I don’t have good hair?”
By SHAULA CLARK  |  October 26, 2009
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Review: Motherhood

Fails to carry to term
Being a mother can be stressful.
By TOM MEEK  |  October 22, 2009
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Prodding the free market

 The Yes Men’s irreverent crisis of conscience
Yes Man Mike Bonanno on the most fun aspect of co-directing the new documentary, The Yes Men Fix the World: “climbing into an abandoned flooded quarry in a business suit with 30 pounds of rocks in the pockets to combat buoyancy for the underwater scenes.”
By CHRISTOPHER GRAY  |  October 21, 2009

Play by play: October 23, 2009

Boston theater listings, October 23, 2009
Boston's weekly theater listings
By JEFFREY GANTZ  |  October 21, 2009
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Review: The Stepfather

Remake fails to get any blood flowing
If you call a film The Stepfather , then your title character should have the decency to marry into that perfect little family that he’s predisposed to butcher and kill.
By BRETT MICHEL  |  October 21, 2009

Play by play: October 16, 2009

This week's theater listings
Boston's weekly theater schedule
By JEFFREY GANTZ  |  October 14, 2009
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Review: A Serious Man

The Coens find no country for A Serious Man
The Coen Brothers have put the sad back in sadism.
By PETER KEOUGH  |  October 10, 2009
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Review: Capitalism: A Love Story

Moore of the same: Capitalism fails to make a prophet
In his new film about the Wall Street meltdown, Michael Moore — surprise! — denounces capitalism and its exploitation of the working class. Not that he's above doing a little exploiting himself.
By PETER KEOUGH  |  September 29, 2009
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Review: The Boys Are Back

We're supposed to root for this guy?
Director Scott Hicks ( Shine ) returns to warm hearts with the saga of Joe Warr, a journalist (based on real-life columnist Simon Carr, and played by Clive Owen) whose second wife (Laura Fraser) dies of cancer, leaving him a single father with a hands-off parenting style.
By SHAULA CLARK  |  September 30, 2009
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Review: Five Minutes of Heaven

Or, rather, 90 minutes of tension
It's easy to see what attracted Liam Neeson and James Nesbitt ( Bloody Sunday ) to Prime Suspect veteran Guy Hibbert's screenplay: it's an actor's showcase.
By BRETT MICHEL  |  September 23, 2009
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A Tale of Two Towns

Renowned for its roguish history, Charlestown is finally getting Hollywood's attention
Charlestown was baptized in bloodshed. Yet this unique, fertile turf has been generally overlooked by Hollywood, which has preferred instead its old rival South Boston, the primary backdrop for Oscar winners Good Will Hunting and The Departed .
By CHRIS FARAONE  |  September 29, 2009
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October lite

The outlook is still gloomy, but film finds time for childish things
We expected the vampires, the werewolves, the zombies, and the homicidal maniacs. Same thing with the android doubles, the alien abductors, the sexually abused pregnant teenager, the Apocalypse, and the post-Apocalypse. But kids' movies?
By PETER KEOUGH  |  September 17, 2009

Face off

Doubt explores the quicksand of certainty
If you were an ordinary Catholic boy in parochial school, giving nuns as hard a time as you were getting, you probably ended up with the usual stories of ruler-rapped knuckles. If you grew up to be talented playwright John Patrick Shanley, you ended up writing Doubt: A Parable , a fascinating exploration of the quicksand of certainty.
By BILL RODRIGUEZ  |  September 15, 2009
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Review: The Informant!

Soderbergh's state of cornfusion
The Informant! opens with a segment that sounds as if it had been culled from Food, Inc.
By PETER KEOUGH  |  September 16, 2009

$@&! the word police

Letters to the Boston editor, September 18, 2009
I like to think of myself as a progressive and far from a prude.
By BOSTON PHOENIX LETTERS  |  September 16, 2009
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Review: The Baader Meinhof Complex

Terrorism made simple in Uli Edel's Complex
Terrorism made simple in Uli Edel's Complex
By PETER KEOUGH  |  September 10, 2009
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Interview: Uli Edel

The Baader Meinhof Complex director talks about terror and glamour
Edel talks about terror and glamour
By MIKE MILIARD  |  September 11, 2009
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Review: Halloween II

Rob Zombie's newest bloody mess
Rob Zombie's remake of a sequel to a film he remade begins where his previous film left off.
By BRETT MICHEL  |  September 02, 2009
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Review: Taking Woodstock

Ang Lee sums up the counterculture in style
If there ever was a way to inject fresh interest into events that most people born after the baby boom couldn't care less about, it's to involve Eugene Levy and a shame-to-fame plot line made for reality television.
By CHRIS FARAONE  |  August 27, 2009
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Review: It Might Get Loud

Davis Guggenheim films his essay on the electric guitar
Some guitar teachers will tell you there’s a right way and a wrong way to play the guitar. But Davis Guggenheim’s rousing new documentary, It Might Get Loud, reminds us that that’s not true at all.
By MIKE MILIARD  |  August 27, 2009
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Interview: Quentin Tarantino

The director talks Basterds
Quentin Tarantino began writing the screenplay for Inglourious Basterds more than 10 years ago. When I got him on the phone, he talked about the film's long gestation and how he chose his actors.
By KAM WILLIAMS  |  August 18, 2009
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Review: Inglourious Basterds

Payback for Hitler in Inglourious Basterds
From the beginning, Tarantino's obsessive self-referentiality and movie allusions never let you forget that you're watching a film.
By PETER KEOUGH  |  August 24, 2009
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Review: Cold Souls

Paul Giamatti can't heat up Cold Souls
What if human souls were as interchangeable as hearts, kidneys, movie concepts, and auto parts? Writer/director Sophie Barthes's feature debut toys with the notion, but instead of breaking new ground, Cold Souls settles for rehashing elements from other films.
By PETER KEOUGH  |  August 17, 2009

Play by Play: August 7, 2009

Plays from A to Z
Boston's weekly theater schedule
By JEFFREY GANTZ  |  August 05, 2009

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