Thornton Wilder

Headlines from the Web

Theater: But wait, there’s more

9/2/2008 11:57:58 AM

Source: Time Out Chicago

O'Connell, Wright, O'Dwyer and Gero Cast in Centerstage's The Matchmaker

8/12/2008 1:13:56 PM

Source: Playbill

We know what you did this summer -- 'cause, well, you told us

8/7/2008 4:45:48 PM

Source: CreativeLoafing.com

Newport Times Nine

6/24/2008 10:51:25 PM

Source: Coastal Living

Latest Articles

Yaddo and MacDowell: Works in Progress

Alone again, artistically: A glimpse of what it’s like to be present at the creation
This article originally appeared in the July 18, 1978 issue of the Boston Phoenix.
By D.C. DENISON | July 24, 2008

Beane town

Speakeasy walks The Little Dog Laughed
The dish runs away with the show, not just the spoon, in Douglas Carter Beane’s Tony-nominated 2006 The Little Dog Laughed .
By SALLY CRAGIN | January 08, 2008

tick, tick ... BOOM! at New Rep; A Funny Thing Happened on the Way to the Forum by BTW; American Buffalo at WHAT
When Jonathan Larson, the Pulitzer-winning composer of Rent , wrote tick, tick . . . BOOM! , he could not have known what the “boom” would be.
By CAROLYN CLAY | October 03, 2007

Wake-up call

What Then dreams up a better world
Life is but a dream — or so Rinne Groff would have us believe.
By IRIS FANGER | August 14, 2007

September songs

Invincible Summer ; The Fantasticks ; I Have Before Me a Remarkable Document Given to Me by a Young Lady from Rwanda
“Try to remember the kind of September/When life was slow and oh, so mellow,” sings El Gallo at the top of The Fantasticks .
By CAROLYN CLAY | April 10, 2007

The mind’s eye

Trinity gets dramatic on WRNI
Several Trinity Repertory Company actors sit before microphones in a WRNI studio.
By BILL RODRIGUEZ | April 03, 2007

Ain't that America

Trinity Rep's timeless Our Town
Thornton Wilder’s Our Town is an odd god in the pantheon of great American theater.
By BILL RODRIGUEZ | February 07, 2007

Everyday people

Trinity Rep visits Our Town
When Thornton Wilder’s Our Town hit the stage in 1938, mainstream Broadway ticket holders finally knew the thrill of theatrical surprise that artsy appreciators of the avant-garde had been crowing about.
By BILL RODRIGUEZ | January 23, 2007